It’s tempting to define the Washington National Opera production of Kurt Weill’s stoically hopeful work “Lost in the Stars” by what it isn’t, not by what it is, by what it doesn’t do instead of what it, in the end, so powerfully accomplishes. Let’s begin by saying that while it may be in the season slate of the WNO, it is not strictly or even loosely speaking an opera, although it has its operatic moments.
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