{"id":10188,"date":"2012-04-23T16:26:54","date_gmt":"2012-04-23T14:26:54","guid":{"rendered":"http:\/\/www.myza.co.za\/04\/maori-troilus-and-cressida-opens-shakespeare-season\/"},"modified":"2012-04-23T16:26:54","modified_gmt":"2012-04-23T14:26:54","slug":"maori-troilus-and-cressida-opens-shakespeare-season","status":"publish","type":"post","link":"https:\/\/www.myza.co.za\/press\/maori-troilus-and-cressida-opens-shakespeare-season\/","title":{"rendered":"Maori Troilus and Cressida opens Shakespeare season"},"content":{"rendered":"<p>\t\t<span><\/span><\/p>\n<p><span class=\"articleLocation\">LONDON, April 23<\/span> (Reuters) &#8211; A festival bringing together 37<br \/>\ncompanies from around the world to perform Shakespeare&#8217;s 37<br \/>\nplays in different languages kicks off at London&#8217;s Globe theatre<br \/>\non Monday with a Maori version of &#8220;Troilus and Cressida&#8221;.<span><\/span><\/p>\n<p><span><\/span><\/p>\n<p>The initiative, called Globe to Globe, is part of a wider<br \/>\nWorld Shakespeare Festival as well as the London 2012 Festival<br \/>\nthat ties in with the summer Olympics.<\/p>\n<p><span><\/span><\/p>\n<p>South Sudan, South Africa, Belarus and Afghanistan are among<br \/>\nthe countries represented, and for the first time a Shakespeare<br \/>\nplay will be publicly performed in its entirety in British sign<br \/>\nlanguage.<\/p>\n<p><span><\/span><\/p>\n<p>Definitely Theatre from London will translate the<br \/>\npun-riddled comedic text of &#8220;Love&#8217;s Labour&#8217;s Lost&#8221; as part of<br \/>\nwhat the Royal Shakespeare Company is calling the biggest ever<br \/>\nfestival dedicated to the Bard and his plays.<\/p>\n<p><span><\/span><\/p>\n<p>&#8220;We are hugely excited to throw open our doors to the<br \/>\nworld,&#8221; said Tom Bird, director of the Globe to Globe festival<br \/>\nheld at the Globe, the replica of Shakespeare&#8217;s original<br \/>\ntheatre.<\/p>\n<p><span><\/span><\/p>\n<p>&#8220;This festival offers the chance to see well-known plays in<br \/>\na new way, with the cultural influences and theatre conventions<br \/>\nof countries you may never have visited.<\/p>\n<p><span><\/span><\/p>\n<p>&#8220;This is a once in a lifetime opportunity to experience<br \/>\nShakespeare&#8217;s work in a way that you&#8217;re unlikely ever to have<br \/>\nseen it before, and a chance for the communities of London to<br \/>\nhear his stories in their mother tongue.&#8221;<\/p>\n<p><span><\/span><\/p>\n<p>Underlining how Shakespeare&#8217;s dramas resonate today, the<br \/>\nGlobe will see the three Henry VI plays about England&#8217;s first<br \/>\ngreat civil war turned into an epic and sweeping Balkan trilogy<br \/>\nfeaturing national theatres from Serbia, Albania and Macedonia.<\/p>\n<p><span><\/span><\/p>\n<p>The series has not been without controversy, however.<\/p>\n<p><span><\/span><\/p>\n<p>A group of leading British actors, directors and film makers<br \/>\nsigned a letter last month objecting to the inclusion of<br \/>\nIsrael&#8217;s National Theatre, Habima, which is due to perform &#8220;The<br \/>\nMerchant of Venice&#8221; in Hebrew in late May.<\/p>\n<p><span><\/span><\/p>\n<p>The letter, published in the Guardian newspaper, attacked<br \/>\nwhat it called Habima&#8217;s &#8220;shameful&#8221; record of involvement with<br \/>\nIsraeli settlements in the Palestinian territories and urged the<br \/>\nGlobe to withdraw its invitation.\t<\/p>\n<p> (Reporting by Mike Collett-White, editing by Paul Casciato)<\/p>\n<p><span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LONDON, April 23 (Reuters) &#8211; A festival bringing together 37 companies from around the world to perform Shakespeare&#8217;s 37 plays in different languages kicks off at London&#8217;s Globe theatre on Monday with a Maori version of &#8220;Troilus and Cressida&#8221;. The initiative, called Globe to Globe, is part of a wider World Shakespeare Festival as well [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[830,2370,183],"class_list":{"0":"post-10188","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-south-africa","7":"tag-news","8":"tag-reuters","9":"tag-south-africa-2","10":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/10188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/comments?post=10188"}],"version-history":[{"count":0,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/10188\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/media?parent=10188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/categories?post=10188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/tags?post=10188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}