{"id":106004,"date":"2017-12-10T02:47:38","date_gmt":"2017-12-10T00:47:38","guid":{"rendered":"https:\/\/www.myza.co.za\/malis-cultural-capital-shows-how-citizen-centred-development-can-trump-gentrification-the-conversation\/"},"modified":"2017-12-10T02:47:38","modified_gmt":"2017-12-10T00:47:38","slug":"malis-cultural-capital-shows-how-citizen-centred-development-can-trump-gentrification-the-conversation","status":"publish","type":"post","link":"https:\/\/www.myza.co.za\/press\/malis-cultural-capital-shows-how-citizen-centred-development-can-trump-gentrification-the-conversation\/","title":{"rendered":"Mali’s cultural capital shows how citizen-centred development can trump gentrification | The Conversation"},"content":{"rendered":"

Mali’s cultural capital shows how citizen-centred development can trump gentrification<\/a>: <\/p>\n

S\u00e9gou is rich in arts and crafts, and has built its famous festival around the performing arts.<\/span> Guillaume Colin & Pauline Penot\/Flickr<\/span><\/span><\/figcaption><\/figure>\n

In the first week of every February, the streets of S\u00e9gou in Mali come to life. Residents from the capital, Bamako, flock to the secondary city to escape the busyness of everyday life and absorb the sights, sounds and colours of the Festival sur le Niger, along the banks of the Niger River.<\/p>\n

The attractions include traditional dances and performances, theatre plays and music showcases. There\u2019s also a West African regional art craft fair, artistic residencies, visual arts exhibitions and a colloquium. Spontaneous sideline events abound in hotels and restaurants. The festival will stage its 14th edition in February 2018.<\/p>\n

Over the past 10 years, S\u00e9gou \u2013 with its architectural heritage, creative craftsmanship and natural landscape \u2013 has established itself as Mali\u2019s cultural capital. This has happened because local government, local artists and broader civil society actors have worked together to create a cultural development policy focused on sustainable local economic development. Arts and culture programmes have been collectively designed and implemented, drawing on local resources, knowledge, strategies and institutions. <\/p>\n

This homegrown policy has residents\u2019 long-term well being at its heart. It is based on the city\u2019s specific cultural identity and supports local cultural operators and enterprises. And, importantly, it encourages access to culture for all. <\/p>\n

\"\"
Local artists and citizens are the drivers of inclusive, sustainable urban cultural development.<\/span> <\/figcaption><\/figure>\n

This inclusive, sustainable, citizen centred model of urban cultural development is fundamentally different from Johannesburg\u2019s Maboneng cultural district or Istanbul\u2019s waterfront Golden Horn. Here, the idea of the \u201ccreative city\u201d has been used to justify aggressive neoliberal policies of \u201cregeneration\u201d and gentrification. These enrich a few and contribute to urban inequality. <\/p>\n

But as S\u00e9gou\u2019s journey shows, there is another way to manage and nurture the urban creative economy. Now four other cities on the continent are following S\u00e9gou\u2019s lead. They are working towards developing cultural policies and programmes that bring together the objectives of sustainable local economic development, cultural diversity and social cohesion. <\/p>\n

The case of S\u00e9gou and its annual festival<\/h2>\n

The Festival sur le Niger was created in 2005 by S\u00e9gou\u2019s tourism and cultural entrepreneurs. <\/p>\n

\"\"
Performers at the Festival sur le Niger.<\/span> Hugues\/Flickr<\/span>, CC BY-SA<\/span> <\/figcaption><\/figure>\n

Another initiative organised by the Foundation is the S\u00e9gou Creative City project. It happens in collaboration with the city\u2019s local authorities through a public-private partnership initiated by local people from the art, craft, tourism and economic sectors. This is called the Council for the Promotion of the Local Economy of S\u00e9gou. <\/p>\n

The council focuses on four key areas: music, visual arts, design\/fashion and heritage. It has developed a comprehensive plan for the city\u2019s sustainable cultural development. This includes, for instance, a S\u00e9gou Woven Loinclothes certified label for the preservation and promotion of Mali\u2019s woven loincloth and cotton.<\/p>\n

It has created a unique cultural centre, Centre K\u00f4r\u00e9. This boasts an art library, conference room, outdoor stage and recording studio. It also launched the Biennale S\u00e9gou Art in 2016, a fair that promotes visual art.<\/p>\n

Five creative cities leading the way<\/h2>\n

S\u00e9gou and its Festival sur le Niger have inspired four other African cities: Harare (Zimbabwe), Mah\u00e9-Victoria (Seychelles), Nouakchott (Mauritania) and Pointe Noire (Republic of Congo). Each has its own specific cultural identity to promote and preserve. And of course, each has its own distinctive challenges. <\/p>\n

Harare has innovative cultural spaces in theatre, music and sculpture. But local government support and policies for arts and culture have not changed since the country was still called Rhodesia, in 1979. <\/p>\n

Mah\u00e9-Victoria\u2019s historically rich cultural creativity has tended to be overshadowed by the archipelago\u2019s incredible natural beauty. In Pointe-Noire the image of an industrial oil city has often hidden a dense cosmopolitan life and visual arts scene. <\/p>\n

Nouakchott is culturally diverse. But the city still begs for more spaces of expression and encounters for its multiple cultural heritage and living traditions. <\/p>\n

\"\"
African Artists and other members of the Arterial Network come together for the \u2018Message in a Bottle\u2019 art exhibition in Mahe, Seychelles.<\/span> <\/figcaption><\/figure>\n

Each of these cities participates in the African Creative Cities Programme of the Arterial Network. <\/p>\n

The programmes develops cultural markets across national boundaries by creating professional partnerships and touring circuits for artistic productions. The cities have already exchanged theatre and music performances as well as visual arts exhibitions. This enhances pan-African collaborations among creators and event promoters. <\/p>\n

Above all, the programme aims to assist the four pilot cities to develop their own urban cultural policies, drawing on the important lessons of S\u00e9gou. <\/p>\n

Seminars and workshops dedicated to describing cultural identities for each city took place this year. A working team and consultative commission was identified for each city. Roles and responsibilities were allocated to each member based on their expertise. Further artistic exchanges and capacity-building sessions will follow in 2018. The objective is to renew the experiment and move from five to ten cities across the continent for another two-year round \u2013 and more.<\/p>\n

The cultural polis: a citizen-centred approach<\/h2>\n

S\u00e9gou\u2019s experience shows that ordinary citizens are crucial actors when designing and enacting cultural development processes. They can play an important role in informing policymakers about their cities\u2019 potential for culture and creativity. By advocating for investments in programmes they can support policymakers in clarifying their roles, actions and responsibilities for cultural development. <\/p>\n

Public institutions must then listen and seriously respond to what is being voiced by people in the cultural sector. This will allow them to make arts and culture central to sustainable urban policymaking and development.<\/p>\n

This dynamic, collaborative process of discussion and engagement between civil society and local institutions is what I like to call a \u201ccultural polis\u201d. For cities \u2013 in Africa and beyond \u2013 that want to build their urban cultural economies while avoiding the pitfalls of gentrification, we can look into these endogenous experiences offer important insights.<\/p>\n

\"The <\/p>\n

Dr. Jenny Mbaye is a member of the Cultural Policy Task Group of the pan-African not-for-profit organisation Arterial Network (AN). She has worked as scientific adviser to AN's pilot programme African Creative Cities Network (AACC).<\/span><\/em><\/p>\n

Source:<\/strong> The Conversation \u2013 Articles (AFRICA)<\/a><\/small>
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Mali’s cultural capital shows how citizen-centred development can trump gentrification: S\u00e9gou is rich in arts and crafts, and has built its famous festival around the performing arts. Guillaume Colin & Pauline Penot\/Flickr In the first week of every February, the streets of S\u00e9gou in Mali come to life. Residents from the capital, Bamako, flock to […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4584],"tags":[4810,28460,8890,9494,735,28461,23717,3749,8494],"class_list":{"0":"post-106004","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-africa-news-2","7":"tag-capital","8":"tag-citizencentred","9":"tag-conversation","10":"tag-cultural","11":"tag-development","12":"tag-gentrification","13":"tag-malis","14":"tag-shows","15":"tag-trump","16":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/106004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/comments?post=106004"}],"version-history":[{"count":0,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/106004\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/media?parent=106004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/categories?post=106004"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/tags?post=106004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}