{"id":170531,"date":"2020-10-30T01:29:45","date_gmt":"2020-10-29T23:29:45","guid":{"rendered":"https:\/\/www.myza.co.za\/how-viral-song-jerusalema-joined-the-ranks-of-south-africas-greatest-hits\/"},"modified":"2020-10-30T01:29:45","modified_gmt":"2020-10-29T23:29:45","slug":"how-viral-song-jerusalema-joined-the-ranks-of-south-africas-greatest-hits","status":"publish","type":"post","link":"https:\/\/www.myza.co.za\/press\/how-viral-song-jerusalema-joined-the-ranks-of-south-africas-greatest-hits\/","title":{"rendered":"How viral song Jerusalema joined the ranks of South Africa&#8217;s greatest hits"},"content":{"rendered":"<div><img decoding=\"async\" src=\"http:\/\/www.myza.co.za\/press\/wp-content\/uploads\/2020\/10\/how-viral-song-jerusalema-joined-the-ranks-of-south-africas-greatest-hits.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p>There\u2019s something seemingly novel about a song from South Africa going viral to the extent that the 2019 house music song <em><a href=\"https:\/\/www.youtube.com\/watch?v=fCZVL_8D048\">Jerusalema<\/a><\/em> has done in 2020. The song is performed by musician and producer <a href=\"https:\/\/briefly.co.za\/32929-master-kg-biography-age-real-awards-songs-albums.html\">Master KG<\/a> and vocalist <a href=\"https:\/\/www.theguardian.com\/world\/2020\/oct\/07\/nomcebo-the-voice-behind-jerusalema-south-africas-global-hit\">Nomcebo Zikode<\/a>.<\/p>\n<p>Apart from the song\u2019s omnipresence on the sound systems of a cross-section of socio-economic neighbourhoods across South Africa, it has become a <a href=\"https:\/\/www.theguardian.com\/global-development\/2020\/sep\/24\/jerusalema-dance-craze-brings-hope-from-africa-to-the-world-amid-covid\">viral dance phenomenon<\/a>, drawing in a diverse global audience. Internationally, politicians, sports stars, priests, nuns and monks, shop attendants, healthcare workers and infinite other global citizens have posted countless videos of themselves participating in group dancing, accepting the <em>Jerusalema<\/em> dance challenge. <\/p>\n<p>As much as the song has captured <a href=\"https:\/\/scroll.in\/article\/975720\/jerusalema-why-a-south-african-song-has-become-the-soundtrack-to-a-world-in-lockdown\">global attention<\/a>, it has also inspired curiosity among those already familiar with the repetitive, slower, four-to-a-bar beat of <a href=\"https:\/\/www.okayafrica.com\/south-african-house-songs-10-best\/\">South African house<\/a> music. Many are trying to figure out what makes <em>Jerusalema<\/em> so exceptional in its popularity. A frequent question in my social circles is, why this song? <\/p>\n<p>Why, when there have been so many other similar uplifting local dance hits, does this song have such a potent viral capacity that\u2019s broken download <a href=\"https:\/\/ewn.co.za\/2020\/09\/10\/master-kg-s-jerusalema-now-most-shazamed-song-in-the-world\">records<\/a> and received over 200 million clicks on the official music video to date?<\/p>\n<figure> <span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"440\" height=\"260\" src=\"https:\/\/www.youtube.com\/embed\/fCZVL_8D048?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><figcaption><span class=\"caption\">The official music video for Jerusalema.<\/span><\/figcaption><\/figure>\n<p>The song also befuddles because it seems to have fallen outside of the traditional South African summer dance release trajectory, which usually means that such songs get endless airplay throughout the holidays and then their ubiquity dies down. Instead <em>Jerusalema<\/em> kept growing in popularity during the national COVID-19 lockdown. This should give us a clue about its particular significance.<\/p>\n<h2>South Africa\u2019s greatest hits<\/h2>\n<p>Few South African songs have achieved this kind of global status and these have been tied to political or historical moments that enabled their popularity and spread. Three other songs come to mind. <\/p>\n<p>The first is <em><a href=\"https:\/\/www.youtube.com\/watch?v=mrrQT4WkbNE\">Mbube<\/a><\/em>, written by <a href=\"https:\/\/www.sahistory.org.za\/dated-event\/solomon-popoli-linda-singer-and-composer-dies\">Solomon Linda<\/a> and performed with his troupe the Evening Birds in the 1930s. <em>Mbube<\/em> was misinterpreted as <em>Wimoweh<\/em> almost at once by American folk singer Peter Seeger. Since then it has become a multi-generational staple in stage productions and Hollywood <a href=\"https:\/\/www.youtube.com\/watch?v=I82PFHKgY2c\">films<\/a> and covered by numerous bands around the world. The success of what is now known as <em>Wimoweh (The Lion Sleeps Tonight)<\/em> was possible because of its <a href=\"https:\/\/www.rollingstone.com\/feature\/in-the-jungle-inside-the-long-hidden-genealogy-of-the-lion-sleeps-tonight-108274\/\">exploitation<\/a> of Linda\u2019s labour and intellectual property rights. <\/p>\n<hr>\n<p> <em> <strong> Read more: <a href=\"https:\/\/theconversation.com\/the-angolan-dancers-who-helped-south-african-anthem-jerusalema-go-global-148782\">The Angolan dancers who helped South African anthem Jerusalema go global<\/a> <\/strong> <\/em>\n<\/p>\n<hr>\n<p>Another prominent song was Miriam Makeba\u2019s infectious dance hit <a href=\"https:\/\/www.youtube.com\/watch?v=lNeP3hrm__k\"><em>Pata Pata<\/em><\/a> during the height of <a href=\"https:\/\/www.sahistory.org.za\/article\/history-apartheid-south-africa\">apartheid<\/a> in the 1960s. Its popularity in Africa, Europe, North America and other parts of the world was enabled not only by her fame as a singer but also by her <a href=\"https:\/\/www.npr.org\/transcripts\/96869377\">political activism<\/a> and networks against the apartheid regime. <\/p>\n<p>The South African hits emanating from Paul Simon\u2019s <em>Graceland<\/em> album \u2013 like Ladysmith Black Mambazo\u2019s <a href=\"https:\/\/theconversation.com\/of-strong-winds-heavy-hearts-and-joseph-shabalala-telling-the-south-african-story-131848\"><em>Homeless<\/em><\/a> \u2013 were incredibly popular in Europe and North America. But they were similarly riding the wave of rebellion. By making the album with black South African musicians, Simon defied apartheid, but also disregarded the <a href=\"https:\/\/www.sahistory.org.za\/article\/south-africas-academic-and-cultural-boycott\">cultural boycott<\/a> of South Africa. So Simon\u2019s fame plus <a href=\"https:\/\/www.theguardian.com\/music\/2012\/apr\/19\/paul-simon-graceland-acclaim-outrage\">cumulative factors<\/a> helped make <em>Graceland<\/em> a hit album.<\/p>\n<h2>The art of crossing over<\/h2>\n<p><em>Jerusalema<\/em> is in good company. Its popularity comes not only at a time when songs with a dance sequence often have a viral life, like Drake\u2019s online hit <em><a href=\"https:\/\/www.youtube.com\/watch?v=DRS_PpOrUZ4&amp;list=PL0bYCsuYO8hg28V_EcMDziM5p7V65ieYU&amp;index=554\">In My Feelings<\/a><\/em> or the pre-internet <em><a href=\"https:\/\/www.youtube.com\/watch?v=MMRVbhbIkjk\">Macarena<\/a><\/em> by Los Del Rio. Beyond this, <em>Jerusalema<\/em>\u2019s message of seeking guidance and protection towards a spiritual <a href=\"https:\/\/www.theelephant.info\/ideas\/2020\/10\/16\/another-now-why-the-jerusalema-dance-challenge-reveals-a-longing-to-re-imagine-the-world\/\">home<\/a> in a turbulent time is also relevant for this historical moment.<\/p>\n<figure> <span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"440\" height=\"260\" src=\"https:\/\/www.youtube.com\/embed\/Dp7aVYPa6QM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><figcaption><span class=\"caption\">#JerusalemaDanceChallenge in Italy.<\/span><\/figcaption><\/figure>\n<p><em>Jerusalema<\/em> went viral during the isolation and loss caused by <a href=\"https:\/\/theconversation.com\/africa\/covid-19\">COVID-19<\/a> lockdowns world-wide. It has resonated with people who may not <a href=\"https:\/\/www.rollingstone.com\/pro\/news\/jerusalema-global-dance-hit-south-africa-spotify-1076474\/\">understand<\/a> the isiZulu lyrics, but understand its inherent religious theme, because of associations with the biblical city Jerusalem. This translates anywhere Christianity plays a social or institutional role, making the song resonate beyond its danceability.<\/p>\n<p>And this makes <em>Jerusalema<\/em> another successful crossover \u2013 a popular house music song that also manages to be a gospel song. Many crossover songs go viral because they straddle target audiences in different genres. What is interesting is that in South Africa, gospel music traditionally outsells most other popular music genres. The song has essentially penetrated this large market but also had an impact on local music market benchmarks. It not only offers catchy dance music and a relatable message, it also makes local market history for gospel-dance fusion.<\/p>\n<h2>A bridge to soft power<\/h2>\n<p>It is also not entirely surprising that the viral dance sequence associated with <em>Jerusalema<\/em> came from <a href=\"https:\/\/www.youtube.com\/watch?v=613A9d6Doac\">Angola<\/a>. Dance music is popular in Angola, with local styles like <a href=\"https:\/\/www.euronews.com\/2019\/05\/29\/kizomba-dance-an-angolan-celebration\">kizomba<\/a> and <a href=\"https:\/\/www.npr.org\/sections\/therecord\/2012\/12\/26\/167628341\/kuduro-the-dance-that-keeps-angola-going\">kuduro<\/a>. Angola also has well-established European networks due to its political history. So, the #JerusalemaDanceChallenge became a bridge to the rest of the continent, the African diaspora and Europe. The viral life of the song has given Master KG access to elusive global music markets.<\/p>\n<p>This serves up another question over the song: what does <em>Jerusalema<\/em> say about South Africa\u2019s <a href=\"https:\/\/www.foreignaffairs.com\/reviews\/capsule-review\/2004-05-01\/soft-power-means-success-world-politics\">soft power<\/a>? For the moment, the song has made the country prominent on the world map. But soft power is earned and not achieved overnight. Governments build networks over time through recurring formal and informal cultural diplomacy programmes to nurture an attractive image of their nations abroad. <\/p>\n<figure> <span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"440\" height=\"260\" src=\"https:\/\/www.youtube.com\/embed\/ZrgND_lHIQ0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><figcaption><span class=\"caption\">#JerusalemaDanceChallenge in Kenya.<\/span><\/figcaption><\/figure>\n<p>South Africa also has soft power intentions it pursues through the Department of Sports, Arts and Culture\u2019s occasional <a href=\"http:\/\/www.dac.gov.za\/content\/cultural-diplomacy-pillar-our-international-relations\">cultural diplomacy<\/a> programmes. The department often sponsors big-name local house deejays to travel to international industry conferences. Cultural diplomacy involves artists actually interacting with foreign audiences and not only building networks with institutions. Musicians need to be supported through infrastructure in building consumer audiences abroad. <\/p>\n<p>Some questions remain. How will South Africa capitalise on the popularity of <em>Jerusalema<\/em> for its soft power-related goals? Is it enough to simply name the musicians responsible for the hit as our cultural ambassadors abroad? <\/p>\n<p>The viral popularity of <em>Jerusalema<\/em> is interesting on a number of levels, but mostly because it has superseded expectations of what a local house music song can do.<\/p>\n<p> <a href=\"https:\/\/theconversation.com\/africa\/\">Source: The Conversation<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There\u2019s something seemingly novel about a song from South Africa going viral to the extent that the 2019 house music song Jerusalema has done in 2020. The song is performed by musician and producer Master KG and vocalist Nomcebo Zikode. Apart from the song\u2019s omnipresence on the sound systems of a cross-section of socio-economic neighbourhoods [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":170532,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4584],"tags":[3257],"class_list":{"0":"post-170531","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-africa-news-2","8":"tag-mypr","9":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.myza.co.za\/press\/wp-content\/uploads\/2020\/10\/how-viral-song-jerusalema-joined-the-ranks-of-south-africas-greatest-hits-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/170531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/comments?post=170531"}],"version-history":[{"count":0,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/170531\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/media\/170532"}],"wp:attachment":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/media?parent=170531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/categories?post=170531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/tags?post=170531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}