{"id":185914,"date":"2021-04-12T20:22:46","date_gmt":"2021-04-12T18:22:46","guid":{"rendered":"https:\/\/www.myza.co.za\/nigerian-icon-fela-is-long-overdue-for-the-rock-roll-hall-of-fame\/"},"modified":"2021-04-12T20:22:46","modified_gmt":"2021-04-12T18:22:46","slug":"nigerian-icon-fela-is-long-overdue-for-the-rock-roll-hall-of-fame","status":"publish","type":"post","link":"https:\/\/www.myza.co.za\/press\/nigerian-icon-fela-is-long-overdue-for-the-rock-roll-hall-of-fame\/","title":{"rendered":"Nigerian icon Fela is long overdue for the Rock & Roll Hall of Fame"},"content":{"rendered":"

Scrolling through the comments made on YouTube on Fela Anikulapo-Kuti<\/a>\u2019s music, one comes across remarks such as: \u201cThe greatest unknown musician who ever lived\u201d, \u201cWhy isn\u2019t Fela\u2019s music more widely known?\u201d, \u201cHis music beats everything I\u2019ve ever heard before\u201d and \u201cWhy am I so late to this?\u201d<\/p>\n

The truth is that during Fela\u2019s extraordinary lifetime, the Nigerian\u2019s notoriety as an engaged citizen<\/a> fighting for social justice was what usually attracted attention \u2013 and not his music <\/a>. His public persona as a cultural renegade, an incorrigible iconoclast and social rebel hugged the headlines. Not his intoxicating blend of Yoruba trance music, highlife<\/a>-derived harmonies and African American funk and jazz. He was artistically ahead of his time. And nearly 30 years since his passing, the world is still playing catch up.<\/p>\n

Fela was a social and cultural misfit during the prime years of his career. He was blacklisted on radio. The DJs who played his records were considered brave. These defiant on-air personalities included Lagos\u2019 Jacob Akinyemi Johnson (JAJ), who broke the mould in the 1980s. It also didn\u2019t help matters that Fela\u2019s complex music compositions sometimes ran for over half an hour. This lengthy format didn\u2019t fit with standard broadcasting durations and was a severe drawback for breaking into commercial radio and record companies.<\/p>\n

According to Fela, the value of music exceeded its entertainment appeal. In his view, music had a spiritual dimension and so commercial considerations were secondary. As I wrote in a recent essay<\/a>, his temperament was uncompromising.<\/p>\n

Fela Kuti is one of many prominent names nominated for induction into the prestigious Rock and Roll Hall of Fame this year. Other big name acts include Tina Turner, Foo Fighters and Iron Maiden. We are already late in catching on during his colourful lifetime. It does feel embarrassing. But now there\u2019s an opportunity, with the benefit of hindsight, to reevaluate, redefine and bestow his due accolades. Kuti\u2019s recent nomination<\/a> for a spot in the Rock & Roll Hall of Fame<\/a> is a great start. <\/p>\n

The common man\u2019s middle finger<\/h2>\n

Fela was special and he stood out in his music, lifestyle and activism. There he was, always uniquely dressed in embroidered brocades and African-inspired prints. He lived dangerously, defying brutal military regimes, flamboyantly puffing on jumbo-sized marijuana joints, with a bevy of scantily clad, made-up women in tow, with street thugs as his bodyguards. <\/p>\n

\"A<\/a>
Fela Kuti performing on stage with his band Egypt 80.<\/span> Ebet Roberts\/Redferns\/Getty Images<\/span><\/span> <\/figcaption><\/figure>\n

Aesthetically, he was a fiery riot of stunning colours, jarringly expressive (anti) styles and loud and discordant attitudes. There was none like him then, and even now. Fela was an avatar, an anomaly and a pioneer all at once. And the ripples he left in his wake are still felt around the world.<\/p>\n

Fela was difficult to love. He always seemed too hot to handle. He seemed out of place and was uncompromising in his art, politics and vision. He was wild, uncontrollable and spontaneous. This was a guy who had the sheer audacity to marry 27 women in a single day. He also employed somewhat tyrannical methods in running his extensive household and sprawling band.<\/p>\n

He was accommodating to a fault. Hoodlums and common criminals were often able to seek and find refuge under his protection. He found joy in poking at the finer sensibilities of decent society. Fela was born middle-class, but on many occasions, he rejected classism. He reportedly used luxury Mercedes Benz cars as transport for firewood, spinach and other indignities, to demystify affluence. <\/p>\n

Due to his behaviour, his music was shunned by polite society and the political class. Instead, he became famous for his serial transgressions, arrests, state-sanctioned physical assaults, 300 court appearances and spells of imprisonment.<\/p>\n