{"id":215752,"date":"2022-02-06T04:13:22","date_gmt":"2022-02-06T02:13:22","guid":{"rendered":"https:\/\/www.myza.co.za\/mrd-3-smiling-girl\/"},"modified":"2022-02-06T04:13:22","modified_gmt":"2022-02-06T02:13:22","slug":"mrd-3-smiling-girl","status":"publish","type":"post","link":"https:\/\/www.myza.co.za\/press\/mrd-3-smiling-girl\/","title":{"rendered":"MRD 3 smiling girl"},"content":{"rendered":"<p><strong>MRD 3 smiling girl<\/strong><br \/>\n<img decoding=\"async\" alt=\"Free State South Africa\" src=\"\" width=\"700\"\/><br \/>\n<i>Image by <a target=\"_blank\" href=\"http:\/\/www.flickr.com\/photos\/51504818@N06\/51364552642\" rel=\"noopener\">Jim Surkamp<\/a><\/i><br \/>\nMartin Delany  to Africa &#8211; To Be More Than Equal 1 &#8211;<br \/>\n<a target=\"_blank\" href=\"https:\/\/youtu.be\/oHBTnaDgMvY\" rel=\"noreferrer nofollow noopener\">youtu.be\/oHBTnaDgMvY<\/a> <\/p>\n<p>Martin Delany &#8211; To Be More Than Equal 1 Credits 17:19<br \/>\n<a target=\"_blank\" href=\"https:\/\/youtu.be\/AJ0Ch2XvlEM\" rel=\"noreferrer nofollow noopener\">youtu.be\/AJ0Ch2XvlEM<\/a> <\/p>\n<p>Martin Delany &#8211; To Be More than Equal 2, Enthralls West Africa &#8211;  summer, 1859<br \/>\n<a target=\"_blank\" href=\"https:\/\/youtu.be\/AiSi7oDRM0k\" rel=\"noreferrer nofollow noopener\">youtu.be\/AiSi7oDRM0k<\/a> <\/p>\n<p>Martin Delany To Be More Than Equal 2  Credits 38:59<br \/>\n <a target=\"_blank\" href=\"https:\/\/youtu.be\/EqQYMkiKrgk\" rel=\"noreferrer nofollow noopener\">youtu.be\/EqQYMkiKrgk<\/a> <\/p>\n<p>Martin Delany To Be More Than Equal 3 14:54<br \/>\n <a target=\"_blank\" href=\"https:\/\/youtu.be\/UnDvxC0dEcM\" rel=\"noreferrer nofollow noopener\">youtu.be\/UnDvxC0dEcM<\/a>   <\/p>\n<p>Martin Delany To Be More Than Equal 3  Credits 34:19<br \/>\n<a target=\"_blank\" href=\"https:\/\/youtu.be\/66yJR6mvWKE\" rel=\"noreferrer nofollow noopener\">youtu.be\/66yJR6mvWKE<\/a> <\/p>\n<p>This is a 3-part of a series about Martin Delany, born in 1812 in Charles Town, then Virginia going  on to be the first African-American field officer in the U.S. Army, organizer in 1859 of a year long scientific expedition in West Africa, Harvard educated physician, co-editor of The North Start with Frederick Douglass, author of several books including one of the very first  important novels by an African-American. It was called &quot;Blake: The Huts of American,&quot; the story of a traveling insurrectionist serialized in the Anglo-African magazine in 1858-1860. After Lincoln met him in February, 1865 in the White House, the President immediately sent a memo to his Secretary of War, stating: &quot;Do not fail to have an interview with this most intelligent and extraordinary black man.&quot;<\/p>\n<p>With Sonny Luckett as Martin Delany<\/p>\n<p>Made possible with the generous, community-minded support of American Public University System (apus.edu) to encourage  fact-based discussion into the foundational issues from which our nation has evolved.<\/p>\n<p>BEGINS MRD 3<\/p>\n<p>Introduction 0:00-<\/p>\n<p>1 &amp; 2<br \/>\nChannel 4 is a British public broadcast service.<br \/>\nLupita Nyong&#8217;o Meets Real Warrior Women<br \/>\nNov 3, 2019<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=M0TGKiMiZ68\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=M0TGKiMiZ68<\/a><\/p>\n<p>**<br \/>\nOn video:38-1:45:<br \/>\n(1) The enemy is on the tip (2) of my machete<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=M0TGKiMiZ68\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=M0TGKiMiZ68<\/a><br \/>\nChannel 4 is a British public broadcast service.<br \/>\nLupita Nyong&#8217;o Meets Real Warrior Women<br \/>\nNov 3, 2019<\/p>\n<p>3. TITLE: Don&#8217;t even think about it<br \/>\nLupita Nyong&#8217;o Meets Real Warrior Women<br \/>\nNov 3, 2019<\/p>\n<p>**<br \/>\nDelany wrote his rich, do-gooder friends in England to not even THINK about sending money to the Dahomey.<\/p>\n<p>4. still image<br \/>\n#Lupita #Channel4Documentary #Channel4<br \/>\nLupita Nyong&#8217;o Meets Real Warrior Women<br \/>\nNov 3, 2019<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=M0TGKiMiZ68\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=M0TGKiMiZ68<\/a><br \/>\n**<\/p>\n<p>5-6<br \/>\n**<br \/>\n1:57-2:04 in broadcast (5) we&#8217;re going to cut him (6) into small pieces<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=M0TGKiMiZ68\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=M0TGKiMiZ68<\/a><br \/>\nChannel 4 is a British public broadcast service. Wikipedia<br \/>\nLupita Nyong&#8217;o Meets Real Warrior Women<br \/>\nNov 3, 2019<\/p>\n<p>7. TITLE: &quot;for the sake of humanity,&quot; he wrote.<br \/>\ngroup Amazon Chris Hellier\/Getty Images<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.bbc.com\/travel\/article\/20180826-the-legend-of-benins-fearless-female-warriors\" rel=\"noreferrer nofollow noopener\">www.bbc.com\/travel\/article\/20180826-the-legend-of-benins-&#8230;<\/a><\/p>\n<p>**<\/p>\n<p>&quot;For the sake of humanity&quot; he wrote<\/p>\n<p>***<\/p>\n<p>1:12 &#8211; Amazon song over images 7-14 to 2:19<br \/>\nLupita Nyong&#8217;o Meets Real Warrior Women &#8211; youtube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=M0TGKiMiZ68\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=M0TGKiMiZ68<\/a><\/p>\n<p>1:18 &#8211; Kodo Spirit of Taiko over images 8-14 to 2:22<br \/>\nApr 2, 2013 &#8211; micky2be gaming youtube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=5L6h-s5VSmU&amp;list=RDEM7zjT2fDkf41ZvMyRh8hOQQ&amp;start_radio=1\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=5L6h-s5VSmU&amp;list=RDEM7zjT2fDk&#8230;<\/a><\/p>\n<p>1:18 &#8211; machete strikes over images 8-14 to 2:22<br \/>\nMachete (Hit, Slash, Deploy) Mar 9, 2021 Better FX<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=H85PnJ1OAvo&amp;list=PLNxmz91tz4vywf-rxNFxpGsaW7yp28-q-&amp;index=4\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=H85PnJ1OAvo&amp;list=PLNxmz91tz4v&#8230;<\/a><\/p>\n<p>7-13 Amazon group image<br \/>\nCredit Chris Hellier\/Getty Images<\/p>\n<p>8. TITLE: Dahomey was notoriously focussed on war, slave hunts, mass human sacrifice and beheadings. <\/p>\n<p>9. TITLE: Farming and trades were scorned in favor of conquests and plunder from twice-a-year slave hunts, their source of money.  <\/p>\n<p>10. TITLE: 5,000 elite, fierce women warriors formed the core.<\/p>\n<p>11. TITLE: Martin Delany planned his trip for mid-August, 1859 to Abeokuta &#8211; the walled city that protected against slavers   <\/p>\n<p>12. TITLE: He postponed. A mass human sacrifice was done in July in which the Dahomeans used the blood of 2,000 victims to fill a ditch with enough blood &quot;to float a canoe&quot; <\/p>\n<p>13. TITLE: Every August this &quot;Grand Custom&quot; used this blood to &quot;water the graves&quot; of past Kings. <\/p>\n<p>14. Dahomey woman warrior with severed head in hand<br \/>\nForbes, Frederick E. (1851), &quot;Dahomey and the Dahomans.&quot; Vol. 1  London: Longman, Brown, Green, and Longmans,<br \/>\nlibrary.si.edu<br \/>\n<a target=\"_blank\" href=\"https:\/\/library.si.edu\/digital-library\/book\/dahomeydahomansb00forb\" rel=\"noreferrer nofollow noopener\">library.si.edu\/digital-library\/book\/dahomeydahomansb00forb<\/a><br \/>\nAmazon facing p. 23<br \/>\narchive.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/archive.org\/details\/dahomeydahomansb00forb\/page\/n41\/mode\/2up?view=theater\" rel=\"noreferrer nofollow noopener\">archive.org\/details\/dahomeydahomansb00forb\/page\/n41\/mode\/&#8230;<\/a><\/p>\n<p>15. skulls and ornaments<br \/>\nfacing page 81<br \/>\narchive.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/archive.org\/details\/dahomeydahomansb00forb\/page\/81\/mode\/1up?view=theater\" rel=\"noreferrer nofollow noopener\">archive.org\/details\/dahomeydahomansb00forb\/page\/81\/mode\/1&#8230;<\/a><\/p>\n<p>*<br \/>\nDelany responding to the news of the 1859 Grand Custom<\/p>\n<p>Subsidizing the King of Dahomi<br \/>\nThere is some talk by Christians and philanthropists in Great Britain of subsidizing the King of Dahomi. I hope for the sake of humanity, our race, and the cause of progressive civilization, this most injurious measure of compensation for wrong, never will be resorted to nor attempted.<\/p>\n<p>To make such an offering just at a time when we are about to establish a policy of self-regeneration in Africa, which may, by example and precept, effectually check forever the nefarious system, and reform the character of these people, would be to offer inducements to that monster to continue, and a license to other petty chiefs to commence the traffic in human beings, to get a reward of subsidy.<\/p>\n<p>Delany, Martin R. (1861). &quot;OFFICIAL REPORT OF THE NIGER VALLEY EXPLORING PARTY.&quot; New York, T. Hamilton. p. 58. hathitrust.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015003702209&amp;view=1up&amp;seq=68&amp;q1=Dahomi\" rel=\"noreferrer nofollow noopener\">babel.hathitrust.org\/cgi\/pt?id=mdp.39015003702209&amp;vie&#8230;<\/a><\/p>\n<p>***<\/p>\n<p>2:29 &#8211; Sona Jobarteh &amp; Band Kora from West Africa over images 16-28  to 3:52<\/p>\n<p>Hochschule f\u00fcr Musik FRANZ LISZT Weimar<br \/>\nSonah Jobarteh \u2013 Acoustic Guitar\/ Kora\/ Vocals<br \/>\nMaurice Brown \u2013 Acoustic Guitar<br \/>\nAndi McLean \u2013 Electric Bass\/ BVs<br \/>\nMouhamadou Sarr \u2013 Djembe\/ Congas\/ Calabash\/ BVs<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=Ig91Z0-rBfo\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=Ig91Z0-rBfo<\/a><\/p>\n<p>***<\/p>\n<p>2:51 &#8211; soft waves and seagulls over images 18-23 to 3:25 <\/p>\n<p>Softest Beach Sounds from the Tropics &#8211; Ocean Wave Sounds for Sleeping, Yoga, Meditation, Study \u2013 Lounge V Films &#8211; Relaxing Music and Nature Sounds<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B1T06UhcX0Q\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=B1T06UhcX0Q<\/a><\/p>\n<p>**<\/p>\n<p>16. TITLE: After the Dehomeans cooled off, Delany with his cook and guide, William Johnson, both on horseback started for Abeokuta<br \/>\n16a. Apple Maps<br \/>\n16b. CAVALIER YOROUBA YORUBA HORSE AND RIDER &#8211; NIGERIA<br \/>\nchristies.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.christies.com\/en\/lot\/lot-5572505\" rel=\"noreferrer nofollow noopener\">www.christies.com\/en\/lot\/lot-5572505<\/a><\/p>\n<p>17. TITLE: But then a civil war all over Yoruba drove them back to Lagos<br \/>\n17a. Apple Maps<br \/>\n17b. Two native American men mounted on horses, in silhouette, gazing off into the distance, c1904. Photograph by Edward Curtis (1868-1952).<br \/>\n17c. Martin R. Delany<br \/>\nMOLLUS-Mass Civil War Photograph Collection Volume 74<br \/>\nusahec.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg\" rel=\"noreferrer nofollow noopener\">emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg<\/a><\/p>\n<p>18. TITLE: &quot;At least,&quot; Delany wrote. &quot;the climate was delightful.&quot;<br \/>\n18a. Apple Maps<br \/>\n18b. Two native American men mounted on horses, in silhouette, gazing off into the distance, c1904. Photograph by Edward Curtis (1868-1952). &#8211; Image ID: D98CRF<br \/>\n18c. Martin R. Delany<br \/>\nMOLLUS-Mass Civil War Photograph Collection Volume 74<br \/>\nusahec.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg\" rel=\"noreferrer nofollow noopener\">emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg<\/a><\/p>\n<p>**<br \/>\nAt least, Delany wrote: &quot;The climate was delightful.&quot;<\/p>\n<p>19. TITLE: Every person should rise early in Africa, as the air is then coolest, freshest, and purest;<br \/>\n19a. The Africa We Don&#8217;t See on Tv \u00b7 January 26, 2018 &#8211; Ivory Coast facebook.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.facebook.com\/theafricawedontseeontv\/photos\/pcb.1506835356109083\/1506835136109105\/?type=3&amp;theater\" rel=\"noreferrer nofollow noopener\">www.facebook.com\/theafricawedontseeontv\/photos\/pcb.150683&#8230;<\/a><br \/>\n19b. Two native American men mounted on horses, in silhouette, gazing off into the distance, c1904. Photograph by Edward Curtis (1868-1952). &#8211; Image ID: D98CRF<br \/>\n19c. Martin R. Delany<br \/>\nMOLLUS-Mass Civil War Photograph Collection Volume 74<br \/>\nusahec.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg\" rel=\"noreferrer nofollow noopener\">emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg<\/a><\/p>\n<p>19d. CAVALIER YOROUBA YORUBA HORSE AND RIDER &#8211; NIGERIA<br \/>\nchristies.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.christies.com\/en\/lot\/lot-5572505\" rel=\"noreferrer nofollow noopener\">www.christies.com\/en\/lot\/lot-5572505<\/a><\/p>\n<p>20. TITLE: the sight and song of the numerous birds to be seen and heard,<br \/>\nSame sources as 19<\/p>\n<p>21. TITLE: produce a healthful influence upon the mental and physical system.<br \/>\nSame sources as 19<\/p>\n<p>*<\/p>\n<p>Bathing<br \/>\nBathing should be strictly observed by every person at least once every day. Each family should be provided with a large sponge, or one for each room if not for each person, and free application of water to the entire person, from head to foot, should be made every morning.<\/p>\n<p>Early Rising\u2014Breezes<br \/>\nEvery person should rise early in Africa, as the air is then coolest, freshest, and purest; besides the effect upon the senses, the sight and song of the numerous birds to be seen and heard, produce a healthful influence upon the mental and physical system. The land and sea-breezes blow regularly and constantly from half-past three o&#8217;clock p.m. till half-past ten o&#8217;clock a.m., when there is a cessation of about five hours till half-past three again.[Pg 322]<\/p>\n<p>Never Sultry<br \/>\nThe evenings and mornings are always cool and pleasant, never sultry and oppressive with heat, as frequently in temperate climates during summer and autumn. This wise and beneficent arrangement of Divine Providence makes this country beautifully, in fact, delightfully pleasant; and I have no doubt but in a very few years, so soon as scientific black men, her own sons, who alone must be more interested in her development than any other take the matter in hand, and produce works upon the diseases, remedies, treatment, and sanitary measures of Africa, there will be no more contingency in going to Africa than any other known foreign country. I am certain, even now, that the native fever of Africa is not more trying upon the system, when properly treated, than the native fever of Canada, the Western and Southern States and Territories of the United States of America.<br \/>\n&#8211; Delany, Martin R. (1861). &quot;OFFICIAL REPORT OF THE NIGER VALLEY EXPLORING PARTY.&quot; New York, T. Hamilton;<br \/>\n<a target=\"_blank\" href=\"https:\/\/catalog.hathitrust.org\/Record\/001610366\" rel=\"noreferrer nofollow noopener\">catalog.hathitrust.org\/Record\/001610366<\/a><br \/>\nsea comments<\/p>\n<p>22. Cape Coast Castle, and Forts William, Victoria, and McCarthy, Gold Coast, mid-19th century. [Drawings of Western Africa, University of Virginia Library, Special Collections, MSS 14357, no 7]<br \/>\nslaveryandremembrance.org<br \/>\n<a target=\"_blank\" href=\"http:\/\/slaveryandremembrance.org\/articles\/article\/?id=A0103\" rel=\"noreferrer nofollow noopener\">slaveryandremembrance.org\/articles\/article\/?id=A0103<\/a><br \/>\n**<\/p>\n<p>22. TITLE Leaving Cape-Coast Castle &#8211; noon, September 20th <\/p>\n<p>23. TITLE: I took a spoonful dilution of sulphate of quinine 3x daily<br \/>\n23a. Martin R. Delany<br \/>\nMOLLUS-Mass Civil War Photograph Collection Volume 74<br \/>\nusahec.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg\" rel=\"noreferrer nofollow noopener\">emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg<\/a><\/p>\n<p>23b. Quinine sulphate bottle 1860-1910 in London<br \/>\ncollection.sciencemuseumgroup.org.uk<br \/>\n<a target=\"_blank\" href=\"https:\/\/collection.sciencemuseumgroup.org.uk\/objects\/co189273\/quinine-sulphate-bottle-bottle\" rel=\"noreferrer nofollow noopener\">collection.sciencemuseumgroup.org.uk\/objects\/co189273\/qui&#8230;<\/a><br \/>\n23c. Medicine spoon 1701-1850 in Europe<br \/>\ncollection.sciencemuseumgroup.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/collection.sciencemuseumgroup.org.uk\/objects\/co130448\/medicine-spoon-medicine-spoon\" rel=\"noreferrer nofollow noopener\">collection.sciencemuseumgroup.org.uk\/objects\/co130448\/med&#8230;<\/a><br \/>\n23d. Picture of red blood cells infected with malaria parasites. The parasites look like rings inside the cells. SOURCE: CDC\/Steven Glenn, Laboratory &amp; Consultation Division<br \/>\nemedicinehealth.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.emedicinehealth.com\/malaria\/article_em.htm\" rel=\"noreferrer nofollow noopener\">www.emedicinehealth.com\/malaria\/article_em.htm<\/a><\/p>\n<p>24. TITLE: The trip resumes<br \/>\n24a. Apple Maps<br \/>\n24b. Two native American men mounted on horses, in silhouette, gazing off into the distance, c1904. Photograph by Edward Curtis (1868-1952).<br \/>\n24c. Martin R. Delany<br \/>\nahec.armywarcollege.edu<br \/>\n<a target=\"_blank\" href=\"https:\/\/ahec.armywarcollege.edu\/\" rel=\"noreferrer nofollow noopener\">ahec.armywarcollege.edu\/<\/a><\/p>\n<p>***<\/p>\n<p>3:25 &#8211; single bee sounds over images 25-28 to 3:51<br \/>\nsingle bee #1 and #4<br \/>\nBEES BUZZING | Sound Effect [High Quality]<br \/>\nMay 30, 2016 Sound Effects<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=oHGt91cTSy4\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=oHGt91cTSy4<\/a><\/p>\n<p>25.-27. TITLE: Bees! Ever busy on every blossom!<br \/>\nBees in slow motion &#8211; shot on iPhone at 240fps<br \/>\nJan 2, 2018 Flow Hive<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=dUNFNhF8V1o\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=dUNFNhF8V1o<\/a><\/p>\n<p>28. TITLE: air being freighted with fragrance; laden with &quot;tons of beeswax&quot; carried on their heads<br \/>\n28a. SOME FLOWER PLANTS FOUND IN RURAL NIGERIA<br \/>\nskyscrapercity.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.skyscrapercity.com\/threads\/flowers-plants-of-nigeria.902950\/\" rel=\"noreferrer nofollow noopener\">www.skyscrapercity.com\/threads\/flowers-plants-of-nigeria&#8230;.<\/a><br \/>\n28b. bee pollinating a flower<br \/>\nPollinators in Africa p. 7<br \/>\nsanbi.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.sanbi.org\/wp-content\/uploads\/2018\/03\/pollinafricabookletweb.pdf\" rel=\"noreferrer nofollow noopener\">www.sanbi.org\/wp-content\/uploads\/2018\/03\/pollinafricabook&#8230;<\/a><br \/>\n28c.Tribal Women African Batik Art by Dom Z<br \/>\nculturesinternational.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/culturesinternational.com\/products\/african-batik-art-tribal-women-abstract-painting-vintage-west-africa-22-5-x-18-5-signed-by-artist\" rel=\"noreferrer nofollow noopener\">culturesinternational.com\/products\/african-batik-art-trib&#8230;<\/a><\/p>\n<p>28a. Same as #28 wider frame<br \/>\n*<\/p>\n<p>Delany, Martin R. (1861). &quot;OFFICIAL REPORT OF THE NIGER VALLEY EXPLORING PARTY.&quot; New York, T. Hamilton.<br \/>\n&quot;air being freighted with fragrance&quot; from the flowers and aroma of the exuberant, rich, rank growth of vegetable matter. . . encountered many persons laden with &quot;tons of beeswax&quot; carried on their heads . . .bees are seen ever busy on every blossom, gathering their store, leaving laden with the rich delicacies of the blooming flowers<br \/>\np. 20 &#8211; hathitrust.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015003702209&amp;view=1up&amp;seq=30&amp;q1=honey\" rel=\"noreferrer nofollow noopener\">babel.hathitrust.org\/cgi\/pt?id=mdp.39015003702209&amp;vie&#8230;<\/a><\/p>\n<p>*<br \/>\nconnectnigeria.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/connectnigeria.com\/articles\/2017\/07\/20-commonly-grown-flowers-in-nigeria\/\" rel=\"noreferrer nofollow noopener\">connectnigeria.com\/articles\/2017\/07\/20-commonly-grown-flo&#8230;<\/a><\/p>\n<p>Native Plants of Nigeria<br \/>\nNative Plants Of Nigeria<br \/>\nNative Plants of NigeriaScientific Name<br \/>\nRogon DajiAmpelocissus africana<br \/>\nAfrican White MahoganyTurraeanthus africana<br \/>\nPurple Plume GrassBothriochloa bladhii<br \/>\nThollon&#8217;s StrophanthusStrophanthus thollonii<br \/>\nNganda CoffeeCoffea canephora<br \/>\nWest African Piassava PalmRaphia vinifera<br \/>\nUbeDacryodes edulis<br \/>\nYohimbePausinystalia johimbe<br \/>\nLight BosseGuarea cedrata<br \/>\nAfrican Corkwood TreeMusanga cecropioides<br \/>\nworldatlas.co<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.worldatlas.com\/articles\/native-plants-of-nigeria.html\" rel=\"noreferrer nofollow noopener\">www.worldatlas.com\/articles\/native-plants-of-nigeria.html<\/a><\/p>\n<p>skyscrapercity.com<br \/>\nFlowers &amp; Plants of Nigeria<br \/>\nSOME FLOWER PLANTS FOUND IN RURAL NIGERIA<br \/>\npinterest.co<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.pinterest.com\/pin\/361554676316253631\/\" rel=\"noreferrer nofollow noopener\">www.pinterest.com\/pin\/361554676316253631\/<\/a><br \/>\n&amp;<br \/>\n Sep 18, 2008<br \/>\nSOME FLOWER PLANTS FOUND IN RURAL NIGERIA<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.skyscrapercity.com\/threads\/flowers-plants-of-nigeria.902950\/\" rel=\"noreferrer nofollow noopener\">www.skyscrapercity.com\/threads\/flowers-plants-of-nigeria&#8230;.<\/a><\/p>\n<p>bee pollinating<br \/>\nPollinators in Africa p. 7<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.sanbi.org\/wp-content\/uploads\/2018\/03\/pollinafricabookletweb.pdf\" rel=\"noreferrer nofollow noopener\">www.sanbi.org\/wp-content\/uploads\/2018\/03\/pollinafricabook&#8230;<\/a><\/p>\n<p>***<\/p>\n<p>3:51 &#8211; horses trot misc. over image 29 to 4:00<br \/>\n3:55 &#8211; over loping banjo by Shana Aisenberg over images 29-30 to 4:13<\/p>\n<p>29. TITLE: Martin Delany William Johnson (two men on horseback with Kente background)<br \/>\n29a. Kente linen<br \/>\nyouramba.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/youramba.com\/blogs\/news\/50891267-history-and-glossary-of-african-fabrics\" rel=\"noreferrer nofollow noopener\">youramba.com\/blogs\/news\/50891267-history-and-glossary-of-&#8230;<\/a><br \/>\n29b. Two native American men mounted on horses, in silhouette, gazing off into the distance, c1904. Photograph by Edward Curtis (1868-1952)  <\/p>\n<p>30. TITLE: He saw hundreds of acres in unbroken tracts of Indian white corn,<br \/>\n30a. CGIAR System Organization<br \/>\nMaize farmers in Nigeria<br \/>\nBello Abu Bakkar, maize farmer and president of the Nigerian Maize Association, amidst fellow farmers. Photo by C. de Bode\/CGIAR<br \/>\nflickr.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.flickr.com\/photos\/cgiarconsortium\/49083284276\" rel=\"noopener\">www.flickr.com\/photos\/cgiarconsortium\/49083284276<\/a><br \/>\n30b. man mounted on horses, in silhouette, gazing off into the distance, c1904. Photograph by Edward Curtis (1868-1952) <\/p>\n<p>***<\/p>\n<p>4:13 &#8211; Shana Aisenberg playing fast twelve-string guitar over images 31-35 to 4:45<\/p>\n<p>31. TITLE: Every day some of the boys of all sizes may be seen<br \/>\n31a. boy on horse with bird by David Hunter Strother Harpers New Monthly August, 1856 p. 31<\/p>\n<p>32. TITLE: dashing along a road or over a plain at fearful speed on horseback.<br \/>\n32a. same image as 31a.<\/p>\n<p>33.-35. TITLE: They are great vaulters and ankle-springers,<br \/>\nand boys may frequently be seen to spring from the ground whirling twice\u2014turning two summersets\u2014before lighting on their feet.<br \/>\nThe Best flips &#8211; yayasylla842 Oct 22, 2019 Bolow Officiel<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=lLL5EkfEtsg\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=lLL5EkfEtsg<\/a><\/p>\n<p>***<\/p>\n<p>4:45 &#8211; Sona Jobarteh Band over images 36-42 to 5:01<br \/>\n4:45 &#8211; FX chickens over images over images 36-41 to 5:23<\/p>\n<p>36. TITLE: The houses are built of unburnt clay which hardens in the sun, covered with a beautiful thatch-long, peculiar grass<br \/>\nHOW THEY\u2019RE MADE: TRADITIONAL BUILDING SYSTEMS \u2013 SOUTH-WEST NIGERIA<br \/>\nthedotmanka.wordpress.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/thedotmanka.wordpress.com\/2015\/05\/11\/how-theyre-made-traditional-building-systems-south-west-nigeria\/\" rel=\"noreferrer nofollow noopener\">thedotmanka.wordpress.com\/2015\/05\/11\/how-theyre-made-trad&#8230;<\/a><\/p>\n<p>37. TITLE: Great affection exists between husband and wife,<br \/>\n37a. HOW THEY\u2019RE MADE: TRADITIONAL BUILDING SYSTEMS \u2013 SOUTH-WEST NIGERIA<br \/>\nthedotmanka.wordpress.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/thedotmanka.wordpress.com\/2015\/05\/11\/how-theyre-made-traditional-building-systems-south-west-nigeria\/\" rel=\"noreferrer nofollow noopener\">thedotmanka.wordpress.com\/2015\/05\/11\/how-theyre-made-trad&#8230;<\/a><\/p>\n<p>37b. Jacob Jordaens, Study of a Black Man\u2019s Head (ca. 1620). Medium and size unknown. Formerly New York, Estate of Jacob Goldschmidt; present location unknown<br \/>\nuir.unisa.ac.za<br \/>\n<a target=\"_blank\" href=\"http:\/\/uir.unisa.ac.za\/bitstream\/handle\/10500\/19126\/Van%20Haute_tronies%20De%20Arte%2091.pdf?sequence=1&amp;isAllowed=y\" rel=\"noreferrer nofollow noopener\">uir.unisa.ac.za\/bitstream\/handle\/10500\/19126\/Van%20Haute_&#8230;<\/a><\/p>\n<p>37c. Woman with child<br \/>\nImages et Memoires.com<br \/>\npinterest.co.uk<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.pinterest.co.uk\/search\/pins\/?q=West%20African%20mother%201800s&amp;rs=typed&amp;term_meta\" rel=\"noreferrer nofollow noopener\">www.pinterest.co.uk\/search\/pins\/?q=West%20African%20mothe&#8230;<\/a>[]=West%7Ctyped&amp;term_meta[]=African%7Ctyped&amp;term_meta[]=mother%7Ctyped&amp;term_meta[]=1800s%7Ctyped<\/p>\n<p>**<br \/>\nthe women being mostly restricted to household work, <\/p>\n<p>38. TITLE: trading<br \/>\nLocal pottery,Illorin Market, Nigeria<br \/>\njohnhindecollection.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.johnhindecollection.com\/nigeria1.html\" rel=\"noreferrer nofollow noopener\">www.johnhindecollection.com\/nigeria1.html<\/a><\/p>\n<p>39. TITLE: gathering in the fields,<br \/>\nThe Gleaners by Jean-Fran\u00e7ois Millet &#8211; 1857 Mus\u00e9e d&#8217;Orsay<br \/>\nwikipedia.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Gleaners\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/The_Gleaners<\/a><\/p>\n<p>40.TITLE: and aiding in carrying,<br \/>\nAbout Us &#8211; Kitenge Pride &#8211; kitengepride.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/kitengepride.com\/\" rel=\"noreferrer nofollow noopener\">kitengepride.com\/<\/a><\/p>\n<p>41. TITLE: whilst the men principally do the digging, planting, chopping, and other hard work.<br \/>\nPeasant Man and Woman Planting Potatoes by Vincent van Gogh &#8211; 1885<br \/>\nKunsthaus &#8211; Zurich, Switzerland.<br \/>\npaintingmania.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.paintingmania.com\/peasant-man-woman-planting-potatoes-6_4991.html\" rel=\"noreferrer nofollow noopener\">www.paintingmania.com\/peasant-man-woman-planting-potatoes&#8230;<\/a><\/p>\n<p>**<br \/>\nwhilst the men principally do the digging, planting, chopping, and other hard work. <\/p>\n<p>**<br \/>\n42. TITLE: The children are also passionately beloved<br \/>\nhappy mother and child<br \/>\nBenin Togo M<br \/>\nMrs. Earl<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.peacecorps.gov\/benin\/\" rel=\"noreferrer nofollow noopener\">www.peacecorps.gov\/benin\/<\/a><br \/>\npinterest.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.pinterest.com\/pin\/494410865333293979\/\" rel=\"noreferrer nofollow noopener\">www.pinterest.com\/pin\/494410865333293979\/<\/a><\/p>\n<p>42a. same as 42 but wider frame<\/p>\n<p>***<\/p>\n<p>5:22 &#8211; conch call followed by Eshue song over images 43-46 to 5:47<\/p>\n<p>Eshu Ellegua Door opener<br \/>\nMinistry of Miracles Healing School SB<br \/>\n3 years ago<br \/>\nElegu\u00e1 likes all kinds of things associated with child&#8217;s play, &quot;the trickster.&quot; When he dances, he&#8217;s playful and wants others to pay attention to him.<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/channel\/UCW8OB1Zzlx97tJNfFyZlzPw\/featured\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/channel\/UCW8OB1Zzlx97tJNfFyZlzPw\/featured<\/a><\/p>\n<p>43. Eshu conch<br \/>\nEshu Ellegua Door opener<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/channel\/UCW8OB1Zzlx97tJNfFyZlzPw\/featured\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/channel\/UCW8OB1Zzlx97tJNfFyZlzPw\/featured<\/a><\/p>\n<p>44. Ceremonial Mask of Eshu<br \/>\nEshu Ellegua Door opener<br \/>\nyoutube.com<\/p>\n<p>45a-45d. Mask with additions<br \/>\nThe Best flips &#8211; yayasylla842 Oct 22, 2019 Bolow Officiel<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=lLL5EkfEtsg\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=lLL5EkfEtsg<\/a><\/p>\n<p>46. Conch<br \/>\nEshu Ellegua Door opener<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/channel\/UCW8OB1Zzlx97tJNfFyZlzPw\/featured\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/channel\/UCW8OB1Zzlx97tJNfFyZlzPw\/featured<\/a><\/p>\n<p>***<\/p>\n<p>5:28 &#8211; Igbo Dance: \u201cIje nwayo\u201d by Agbani-Nguru Ikorodo Group over images 47-49 to 6:26<br \/>\nAfricana Digital Ethnography Project &#8211; youtube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=31Z2XhcA-ns\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=31Z2XhcA-ns<\/a><\/p>\n<p>47. Igbo Dancers<br \/>\nAfricana Digital Ethnography Project &#8211; youtube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=31Z2XhcA-ns\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=31Z2XhcA-ns<\/a><\/p>\n<p>48. TITLE: and they love fun<br \/>\nMask &#8211; Eshu Ellegua Door opener<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/channel\/UCW8OB1Zzlx97tJNfFyZlzPw\/featured\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/channel\/UCW8OB1Zzlx97tJNfFyZlzPw\/featured<\/a><br \/>\n48a. smiling girl\/mask And they . . .<br \/>\n48b. smiling girl\/mask Love Fun!<\/p>\n<p>49. TITLE: They are very active<br \/>\n49a. Eshu mask &#8211; youtube.com<br \/>\n49b. The Best flips &#8211; yayasylla842 Oct 22, 2019 Bolow Officiel<br \/>\nyoutube.com<br \/>\n49c. Igbo Dance: \u201cIje nwayo\u201d by Agbani-Nguru Ikorodo Group<br \/>\nAfricana Digital Ethnography Project &#8211; youtube.com<br \/>\n49d. silhouette of man on horseback &#8211; Photograph by Edward Curtis<\/p>\n<p>***<br \/>\n6:26 &#8211; Shana Aisenberg easy banjo over images 49-54 to 6:58<br \/>\n6:26 &#8211; common raven over images 49-50 to 6:36<br \/>\n6:27 &#8211; horse neigh over image 49 to 6:32<br \/>\n6:29 &#8211; gallop one horse over images 49-50 to 6:39<\/p>\n<p>50. TITLE: The fine Bornou, known as the Arabian horse, is a native of Africa, and raised in great numbers.<br \/>\na. kente linen<br \/>\nb. Edward Curtis man on horseback<br \/>\nc. Bodyguard of the Sheikh of Bornu, early 1820s<br \/>\nAfrica\u2019s Forgotten Cavalry Kingdoms by CuChullaine O\u2019Reilly FRGS<br \/>\nlrgaf.org<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.lrgaf.org\/historical\/African%20Knights.htm\" rel=\"noreferrer nofollow noopener\">www.lrgaf.org\/historical\/African%20Knights.htm<\/a><\/p>\n<p>51. TITLE: Delany visits Yorubaland and its markets<br \/>\n51a.<br \/>\nMap of the Yoruba cultural area of West Africa, showing some settlements.<br \/>\n4 January 2016 Own work Bappah<br \/>\nLicensing<br \/>\nI, the copyright holder of this work, hereby publish it under the following license:<br \/>\nw:en:Creative Commons<br \/>\nattribution share alike<\/p>\n<p><a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/Yorubaland#\/media\/File:Yorubaland_Cultural_Area_of_West_Africa.jpg\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/Yorubaland#\/media\/File:Yorubaland_C&#8230;<\/a><\/p>\n<p>52. TITLE: All through the Yoruba country the palm tree is cultivated, trimmed and pruned, and never cut down, except when very old.<br \/>\nPalm oil tree and nuts &#8211; 1897<br \/>\nSourceList of Koehler Images<br \/>\nAuthorFranz Eugen K\u00f6hler, K\u00f6hler&#8217;s Medizinal-Pflanzen<br \/>\nwikipedia.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/Elaeis_guineensis\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/Elaeis_guineensis<\/a><\/p>\n<p>**<\/p>\n<p>All through the Yoruba country the palm tree is cultivated, trimmed and pruned, and never cut down, except when very old.<\/p>\n<p>53 &amp; 54. TITLE: Palm nuts turned into a fragrant and deliciously rich oil are used both for light and cooking.<br \/>\nwoman pours processed palm oil into a glass bottle in Masethele village, Bombali District, Sierra Leone.<br \/>\nPhoto courtesy of Aubrey Wade Namati.org<br \/>\nensia.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/ensia.com\/features\/sustainable-palm-oil-production-west-central-africa\/\" rel=\"noreferrer nofollow noopener\">ensia.com\/features\/sustainable-palm-oil-production-west-c&#8230;<\/a><\/p>\n<p>54. hands sorting palm nuts Photo by hodag from Flickr licensed under CC nc-nd 2.0<br \/>\nensia.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/ensia.com\/features\/sustainable-palm-oil-production-west-central-africa\/\" rel=\"noreferrer nofollow noopener\">ensia.com\/features\/sustainable-palm-oil-production-west-c&#8230;<\/a><\/p>\n<p>*<\/p>\n<p>&#8216;History of the Yorubas&#8217;, by The Revd Samuel Johnson, first published in 1921<\/p>\n<p>***<\/p>\n<p>6:59 &#8211; Powerful Oya songs (mother of changes) over images 55-   to 8:46<br \/>\nMinistry of Miracles Healing School SB &#8211; youtube.com\/<br \/>\n8:08 &#8211; market sounds over images          to 9:07<\/p>\n<p>Powerful Oya songs (mother of changes)<br \/>\nMinistry of Miracles Healing School SB<br \/>\nOy\u00e1 is a fierce and powerful female warrior orisha in Santeria. She is the owner of the marketplace, and keeps the gates of the cemetery. She is the force of change in nature and in life. She wields lightning and rides the winds into battle, often fighting with her machetes side-by-side with her favorite lover, Chang\u00f3. Oy\u00e1 raises the armies of the dead as her soldiers and is said to use the tornado as her weapon. Oy\u00e1\u2019s ach\u00e9 is fierce, tumultuous, changing and protective.<br \/>\nyoutube.com\/<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=0U_lS_hfKqE\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=0U_lS_hfKqE<\/a><\/p>\n<p><a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=YtrouhSprzA\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=YtrouhSprzA<\/a><\/p>\n<p>*<\/p>\n<p>Oya: Owner of the Marketplace<br \/>\nThe woman of the marketplace is also known for her abilities in the supplanting of power. Just as the tornado can pick up a house and deposit it miles away Oya can take power away from one and give it to another<br \/>\nenlightenmentandtransformation.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.enlightenmentandtransformation.com\/2015\/06\/23\/oya-2\/\" rel=\"noreferrer nofollow noopener\">www.enlightenmentandtransformation.com\/2015\/06\/23\/oya-2\/<\/a><\/p>\n<p>*<\/p>\n<p>Oya in the Company of Saints<br \/>\nJudith Gleason<br \/>\nJournal of the American Academy of Religion<br \/>\nVol. 68, No. 2 (Jun., 2000), pp. 265-291 (27 pages)<br \/>\nPublished By: Oxford University Press<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.jstor.org\/stable\/1465923\" rel=\"noreferrer nofollow noopener\">www.jstor.org\/stable\/1465923<\/a> <\/p>\n<p>55. TITLE: Oya protects the market and its exchange of life force<br \/>\nOya: Owner of the Marketplace<br \/>\nlooking out for swindlers and con artists . . . Oya is identified with the Catholic saint, St. Teresa<br \/>\noriginalbotanica.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.originalbotanica.com\/blog\/orishas-oya-santeria\/\" rel=\"noreferrer nofollow noopener\">www.originalbotanica.com\/blog\/orishas-oya-santeria\/<\/a><\/p>\n<p>56. TITLE: is identified with Catholic St. Teresa of Avila<br \/>\nTeresa of \u00c1vila by Peter Paul Rubens  &#8211; circa 1615 Kunsthistorisches Museum<br \/>\nwikipedia.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/Teresa_of_%C3%81vila#\/media\/File:Peter_Paul_Rubens_138.jpg\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/Teresa_of_%C3%81vila#\/media\/File:Pe&#8230;<\/a><\/p>\n<p>57. Oya\/Teresa same sources as above<\/p>\n<p>58. TITLE Market Day, Ilorin, Yorubaland<\/p>\n<p>Market Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><\/p>\n<p>59. TITLE: Market Day by Godwin Atta Geoman<\/p>\n<p>greatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><\/p>\n<p>60. TITLE: The markets, large and small, are self-organized and well-run by a manager.<br \/>\na. Market Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><br \/>\nb. Photograph by Edward Curtis (1868-1952)<\/p>\n<p>60a. TITLE: Ilorin has five markets each at one of the city&#8217;s gates.<br \/>\na. Market Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><br \/>\nb. Photograph by Edward Curtis (1868-1952)<\/p>\n<p>**<\/p>\n<p>The markets, large and small, are self-organized and well-run by a manager. Ilorin has five markets each at one of the city&#8217;s gates <\/p>\n<p>***<\/p>\n<p>7:42 &#8211; sheep FX over images 61-63 to 7:57<\/p>\n<p>7:57 &#8211; squab FX over image 64 to 8:04<br \/>\nPigeon sound effect no copyright | birds sounds<br \/>\nNagaty Studio &#8211; Sound Effects youtube.com<\/p>\n<p>61. TITLE: and has had as many as eight hundred sheep at one time.<br \/>\nresting sheep<br \/>\nThomas Sidney Cooper, R.A.<br \/>\nAPRIL SHOWERS<br \/>\nsothebys.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.sothebys.com\/en\/auctions\/ecatalogue\/2012\/british-irish-art\/lot.40.html\" rel=\"noreferrer nofollow noopener\">www.sothebys.com\/en\/auctions\/ecatalogue\/2012\/british-iris&#8230;<\/a><\/p>\n<p>**<br \/>\nand has had as many as eight hundred sheep at one time.  <\/p>\n<p>62. TITLE: When approaching the city of Ibadan,<br \/>\na. Ibaden circa 1851<br \/>\ndrawing by Anna Hinderer<br \/>\nCrowder, Michael. (1977). &quot;West Africa: An Introduction to Its History.&quot; Lagos, Nigeria: Longman Group, Ltd.Turner<br \/>\np. 88<br \/>\nb. Photograph by Edward Curtis (1868-1952)<\/p>\n<p>**<br \/>\nWhen approaching the city of Ibadan, <\/p>\n<p>63. TITLE: I saw at a brook, where they had been let out of their cages or coops to drink and wash themselves,<br \/>\na. Sheep-Washing, Windsor, Etched by Joseph Mallord William Turner<br \/>\ncollections.britishart.yale.edu<br \/>\n<a target=\"_blank\" href=\"https:\/\/collections.britishart.yale.edu\/catalog\/tms:30636\" rel=\"noreferrer nofollow noopener\">collections.britishart.yale.edu\/catalog\/tms:30636<\/a><br \/>\nb.  Photograph by Edward Curtis (1868-1952)<\/p>\n<p>**<br \/>\nI saw at a brook, where they had been let out of their cages or coops to drink and wash themselves, <\/p>\n<p>64. TITLE: and saw as many as three thousand pigeons and squabs going to the Ibadan market.<br \/>\na. squab live :31 sec<br \/>\nmodbee.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.modbee.com\/news\/business\/agriculture\/article131340944.html\" rel=\"noreferrer nofollow noopener\">www.modbee.com\/news\/business\/agriculture\/article131340944&#8230;<\/a><br \/>\nb. horseman silhouette from photograph by Edward Curtis<\/p>\n<p>**<br \/>\nand saw as many as three thousand pigeons and squabs going to the Ibadan market.<\/p>\n<p>*<br \/>\nEnglish: pigeon chicks of 20+ days. Bangladesh.<br \/>\nSourceOwn work<br \/>\nAuthorMamun2a<br \/>\nLicensing<br \/>\nI, the copyright holder of this work, hereby publish it under the following licenses:<br \/>\nw:en:Creative Commons<br \/>\nattribution share alike<\/p>\n<p>This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.<br \/>\nwikipedia.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/Squab\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/Squab<\/a><\/p>\n<p>64a. Same as 63<br \/>\na. Sheep-Washing, Windsor, Etched by Joseph Mallord William Turner<br \/>\ncollections.britishart.yale.edu<br \/>\n<a target=\"_blank\" href=\"https:\/\/collections.britishart.yale.edu\/catalog\/tms:30636\" rel=\"noreferrer nofollow noopener\">collections.britishart.yale.edu\/catalog\/tms:30636<\/a><br \/>\nb.  Photograph by Edward Curtis (1868-1952)<\/p>\n<p>***<\/p>\n<p>8:08 &#8211; Kalangu talking drum and market sounds over images 65-  to  ADD<br \/>\nAfrican Drumming &#8211; Rhythms of West Africa &#8211; Tamafola &#8211; africandrumming<br \/>\nyoutube.com; FOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32 youtube.com<\/p>\n<p>65. TITLE: Delany and Johnson milled among the gleeful noisy thousands at Ilorin&#8217;s markets.<br \/>\n65a. Market Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><br \/>\n65b. FOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch<\/a>?<\/p>\n<p>**<br \/>\nDelany and Johnson milled among the gleeful noisy thousands at Ilorin&#8217;s markets. <\/p>\n<p>66. TITLE: Kolade Oshinowo MEMORIES OF SAMARU<br \/>\nartnet.com<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.artnet.com\/artists\/kolade-oshinowo\/memories-of-samaru-YsHkA0eYiaLR6REtxLq1Lg2\" rel=\"noreferrer nofollow noopener\">www.artnet.com\/artists\/kolade-oshinowo\/memories-of-samaru&#8230;<\/a><\/p>\n<p>67. TITLE: In the afternoon, when the traffic had not fully set in,<br \/>\nKolade Oshinowo MEMORIES OF SAMARU<br \/>\nartnet.com<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.artnet.com\/artists\/kolade-oshinowo\/memories-of-samaru-YsHkA0eYiaLR6REtxLq1Lg2\" rel=\"noreferrer nofollow noopener\">www.artnet.com\/artists\/kolade-oshinowo\/memories-of-samaru&#8230;<\/a><\/p>\n<p>**<br \/>\nIn the afternoon, when the traffic had not fully set in, <\/p>\n<p>68. TITLE: they would often go out and preach<br \/>\nLooking up at palm trees<br \/>\nwiltoday.wordpress.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/wiltoday.wordpress.com\/2013\/07\/30\/soup-from-nigeria\/\" rel=\"noreferrer nofollow noopener\">wiltoday.wordpress.com\/2013\/07\/30\/soup-from-nigeria\/<\/a><\/p>\n<p>69.  TITLE: to the people under the trees.<br \/>\nwiltoday.wordpress.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/wiltoday.wordpress.com\/2013\/07\/30\/soup-from-nigeria\/\" rel=\"noreferrer nofollow noopener\">wiltoday.wordpress.com\/2013\/07\/30\/soup-from-nigeria\/<\/a><\/p>\n<p>**<br \/>\nthey would often go out and preach to the people under the trees. <\/p>\n<p>70. TITLE: At the market, women from early morn till nine o&#8217;clock at night, sell their various merchandise.<br \/>\n70a. smiling vendor<br \/>\nFOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGHoos6oWqmdguWrHYA&amp;start_radio=1&amp;rv=38W5koL9Z2g&amp;t=2\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGH&#8230;<\/a><br \/>\n70b. Market Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><\/p>\n<p>**<\/p>\n<p>At the market, Women from early morn till nine o&#8217;clock at night, sold their merchandise.<\/p>\n<p>71. TITLE: As Martin browsed the market he heard in his heart a lyrical magic in the words being spoken around him. It was a music<br \/>\n71a. smiling vendor<br \/>\nFOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGHoos6oWqmdguWrHYA&amp;start_radio=1&amp;rv=38W5koL9Z2g&amp;t=2\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGH&#8230;<\/a><br \/>\n71b. Market Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><br \/>\n71c. Lewis Arnold (Brigadier General), Albert Barney (Colonel), Martin Delany (Major) 74_3659L.jpg &#8211; MOLLUS-Mass Civil War Photograph Collection Volume 74<br \/>\nusahec.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg\" rel=\"noreferrer nofollow noopener\">emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg<\/a><\/p>\n<p>72. TITLE: but with an ancient heritage he did not yet know<br \/>\n72a. smiling vendor<br \/>\nFOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGHoos6oWqmdguWrHYA&amp;start_radio=1&amp;rv=38W5koL9Z2g&amp;t=2\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGH&#8230;<\/a><br \/>\n72b. Market Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><br \/>\n72c. Lewis Arnold (Brigadier General), Albert Barney (Colonel), Martin Delany (Major) 74_3659L.jpg &#8211; MOLLUS-Mass Civil War Photograph Collection Volume 74<br \/>\nusahec.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg\" rel=\"noreferrer nofollow noopener\">emu.usahec.org\/alma\/multimedia\/174166\/74_3659L.jpg<\/a><\/p>\n<p>**<\/p>\n<p>but with an ancient heritage he did not yet know<\/p>\n<p>73. TITLE: What is the common heritage<br \/>\n74. TITLE: of the Yoruba spoken word<\/p>\n<p>***<\/p>\n<p>PSALM 23 IN YORUBA LANGUAGE over images<br \/>\nJul 14, 2017<br \/>\nQUEEN ADUNNI ADE<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=v8T-R8pH6iE\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=v8T-R8pH6iE<\/a><\/p>\n<p>75. TITLE: And<br \/>\n76. TITLE: the &quot;words of the Talking Drum?&quot;<br \/>\nGangan talking drum<br \/>\nEmmanuelOEmmanuel &#8211; Own work<br \/>\nwikipedia.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/Talking_drum\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/Talking_drum<\/a><\/p>\n<p>**<br \/>\nand the &quot;words of the Talking Drum?&quot;<\/p>\n<p>***<\/p>\n<p>Ayan Bisi Adeleke &#8211; Master talking drummer &#8211; drum talks<br \/>\nedElud<br \/>\nBisi playing the talking drum. Plays dundun &#8211; part 1. Plays gongon and bembe in part two. Edited on Linux with Cinelerra.<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B4oQJZ2TEVI\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=B4oQJZ2TEVI<\/a><\/p>\n<p>77. TITLE: My name is Ayan Bisi Adeleke.<br \/>\n78. TITLE: I am from the University from Nigeria.<br \/>\n78. TITLE: We have these talking drums as our genetics.<br \/>\nAyan Bisi Adeleke &#8211; Master talking drummer &#8211; drum talks<br \/>\nedElud<br \/>\nBisi playing the talking drum. Plays dundun &#8211; part 1. Plays gongon and bembe in part two. Edited on Linux with Cinelerra.<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B4oQJZ2TEVI\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=B4oQJZ2TEVI<\/a><\/p>\n<p>***<\/p>\n<p>9:32 &#8211; Ayan Bisi Adeleke playing drum over images 80-93 to: 10:38<br \/>\napprox begins :13 &#8211; youtube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B4oQJZ2TEVI\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=B4oQJZ2TEVI<\/a> <\/p>\n<p>80. Ayan Bisi Adeleke playing drum<br \/>\napprox begins :13<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B4oQJZ2TEVI\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=B4oQJZ2TEVI<\/a><\/p>\n<p>80. Ayan Bisi Adeleke playing drum<br \/>\napprox begins :13<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B4oQJZ2TEVI\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=B4oQJZ2TEVI<\/a><\/p>\n<p>81.TITLE: Ogotemm\u00eali, Dogon griot &#8211; 1947 says;<br \/>\n82.TITLE: &quot;It is the Nommo who made it.&quot;<br \/>\nIl Mistero dei Dogon<br \/>\nTony Graffio<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=x0c1x1pU7e4\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=x0c1x1pU7e4<\/a><\/p>\n<p>*<br \/>\nwikipedia.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ogotemmeli\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/Ogotemmeli<\/a><\/p>\n<p>*<br \/>\nOgotemm\u00eali died 1962, was blind <\/p>\n<p>GRIAULE E OGOTEMMELI<br \/>\nenrica tedeschi<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=geqks7nv4KE\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=geqks7nv4KE<\/a><\/p>\n<p>83. Side view of Ogotemm\u00eali<br \/>\nIl Mistero dei Dogon<br \/>\nTony Graffio<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=x0c1x1pU7e4\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=x0c1x1pU7e4<\/a><\/p>\n<p>84. TITLE: Read by this narrator as the account of how the Talking Drum was created given to Marcel Griaule by Ogotemm\u00eali &amp; preserved in a poetic language, a Yoruba tradition.<br \/>\nKente linen<br \/>\nyouramba.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/youramba.com\/blogs\/news\/50891267-history-and-glossary-of-african-fabrics\" rel=\"noreferrer nofollow noopener\">youramba.com\/blogs\/news\/50891267-history-and-glossary-of-&#8230;<\/a><\/p>\n<p>85. Ogotemm\u00eali sitting back against a wall<br \/>\nIl Mistero dei Dogon<br \/>\nTony Graffio<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=x0c1x1pU7e4\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=x0c1x1pU7e4<\/a><\/p>\n<p>86-92. Il Mistero dei Dogon shared by Tony Graffio<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=x0c1x1pU7e4&amp;t=493s\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=x0c1x1pU7e4&amp;t=493s<\/a><br \/>\nImages 86-92:<\/p>\n<p>86. TITLE: \u201cHe threaded it with his fingers, as children do today with string games.<br \/>\n87. TITLE: Spreading his hands, he passed the thread ten times in each of his four fingers,<br \/>\n88. TITLE: the thumb not being used. He thus obtained in each hand forty loops<br \/>\n89. TITLE: which made eighty strings, the exact number of teeth of one of his jaws.<br \/>\n90. TITLE: His webbed hands were the skins at the two extremities.<br \/>\n90a. Il Mistero dei Dogon shared by Tony Graffio<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=x0c1x1pU7e4&amp;t=493s\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=x0c1x1pU7e4&amp;t=493s<\/a><br \/>\n90b. ddondo-tambour-parlant-talking-drum<br \/>\nkindpng.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.kindpng.com\/free\/drums\/12\/\" rel=\"noreferrer nofollow noopener\">www.kindpng.com\/free\/drums\/12\/<\/a><\/p>\n<p>91. TITLE: Symbolically, to hit the drum is to hit the hands of the Nommo.\u201d<br \/>\n91a. Il Mistero dei Dogon shared by Tony Graffio<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=x0c1x1pU7e4&amp;t=493s\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=x0c1x1pU7e4&amp;t=493s<\/a><br \/>\n91b. dondo-tambour-parlant-talking-drum<br \/>\nkindpng.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.kindpng.com\/free\/drums\/12\/\" rel=\"noreferrer nofollow noopener\">www.kindpng.com\/free\/drums\/12\/<\/a><\/p>\n<p>92. Ogotemme\u0302li<br \/>\nIl Mistero dei Dogon shared by Tony Graffio<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=x0c1x1pU7e4&amp;t=493s\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=x0c1x1pU7e4&amp;t=493s<\/a><\/p>\n<p>*    \u201cThus man received the final, complete, and multiple word that suited the new times.\u201d<br \/>\n    \u2015 Marcel Griaule, Dieu d\u2019Eau<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.culturesofwestafrica.com\/talking-drum\/\" rel=\"noreferrer nofollow noopener\">www.culturesofwestafrica.com\/talking-drum\/<\/a><\/p>\n<p>Conversations with Ogotemme\u0302li by Marcel Griaule, Marcel an introduction to Dogon religious ideas<\/p>\n<p>93. Montage Adeleke\/Ogotemme\u0302li<br \/>\n93a. Ayan Bisi Adeleke playing drum<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B4oQJZ2TEVI\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=B4oQJZ2TEVI<\/a> over images to ADD<br \/>\n93b.GRIAULE E OGOTEMMELI<br \/>\nenrica tedeschi<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=geqks7nv4KE\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=geqks7nv4KE<\/a><\/p>\n<p>***<\/p>\n<p>10:39 &#8211; PSALM 23 IN YORUBA LANGUAGE over images 94-105 to: 11:29<br \/>\nJul 14, 2017 QUEEN ADUNNI ADE &#8211; youtube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=v8T-R8pH6iE\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=v8T-R8pH6iE<\/a><\/p>\n<p>94. TITLE: Delany wrote of the women of the marketplace:<br \/>\n94a. FOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGHoos6oWqmdguWrHYA&amp;start_radio=1&amp;rv=38W5koL9Z2g&amp;t=2\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGH&#8230;<\/a><br \/>\n94b. Market Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><\/p>\n<p>95. TITLE: They are very polite<br \/>\n95a. FOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGHoos6oWqmdguWrHYA&amp;start_radio=1&amp;rv=38W5koL9Z2g&amp;t=2\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGH&#8230;<\/a><br \/>\n95b. Market Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><\/p>\n<p>96. TITLE (Spoken Word)<br \/>\nFOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGHoos6oWqmdguWrHYA&amp;start_radio=1&amp;rv=38W5koL9Z2g&amp;t=2\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGH&#8230;<\/a><\/p>\n<p>97. TITLE: their language abounding in vowels,<br \/>\nFOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGHoos6oWqmdguWrHYA&amp;start_radio=1&amp;rv=38W5koL9Z2g&amp;t=2\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGH&#8230;<\/a><\/p>\n<p>98. TITLE: consequently euphonious and agreeable<br \/>\nFOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGHoos6oWqmdguWrHYA&amp;start_radio=1&amp;rv=38W5koL9Z2g&amp;t=2\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=38W5koL9Z2g&amp;list=RDCMUC-9lzGH&#8230;<\/a><\/p>\n<p>99. TITLE: affable,<br \/>\nsame as 94<\/p>\n<p>100. TITLE: sociable,<br \/>\nsame as 95<\/p>\n<p>101. TITLE: tractable<br \/>\nsame as 95<\/p>\n<p>**<\/p>\n<p>their language abounding in vowels, and consequently euphonious and agreeable\u2014they are<br \/>\naffable, sociable, and tractable, seeking information with readiness, and evincing willingness to be taught  with high conceptions of the Supreme Being<\/p>\n<p>102. TITLE: Amen<br \/>\nsame as 95<\/p>\n<p>103. TITLE: The Yoruba language  abounds in vowels and is euphonious as Delany wrote<br \/>\nKente linen<br \/>\nyouramba.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/youramba.com\/blogs\/news\/50891267-history-and-glossary-of-african-fabrics\" rel=\"noreferrer nofollow noopener\">youramba.com\/blogs\/news\/50891267-history-and-glossary-of-&#8230;<\/a><\/p>\n<p>**<br \/>\nThe Yoruba language  abounds in vowels and is euphonious as Delany wrote <\/p>\n<p>104. TITLE: because it is based on a tri-tonal scale and is mostly defined by the tri-tonic scale,<br \/>\nKente linen<br \/>\nyouramba.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/youramba.com\/blogs\/news\/50891267-history-and-glossary-of-african-fabrics\" rel=\"noreferrer nofollow noopener\">youramba.com\/blogs\/news\/50891267-history-and-glossary-of-&#8230;<\/a><\/p>\n<p>**<br \/>\nbecause it is based on a tri-tonal scale and is mostly defined by the tri-tonic scale, <\/p>\n<p>11:29 &#8211; Ayan Bisi Adeleke playing drum over image 105 to 11:43<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B4oQJZ2TEVI\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=B4oQJZ2TEVI<\/a> <\/p>\n<p>105. TITLE: as do the talking drums<br \/>\n105a. Ayan Bisi Adeleke playing drum<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B4oQJZ2TEVI\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=B4oQJZ2TEVI<\/a><br \/>\n105b.GRIAULE E OGOTEMMELI<br \/>\nenrica tedeschi<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=geqks7nv4KE\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=geqks7nv4KE<\/a><\/p>\n<p>*** <\/p>\n<p>11:43 &#8211; tritonic scale over image 106 to 11:52<br \/>\nwikipedia.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Tritonic_scale_on_E.mid\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/File:Tritonic_scale_on_E.mid<\/a><\/p>\n<p>106.  Tritonic scale\/dondo tambour Montage<br \/>\n106a. Tritonic scale on E.<br \/>\nDate 24 June 2012<br \/>\nSource Own work<br \/>\nAuthor Hyacinth<br \/>\nOther versions File:Tritonic_scale_on_E.mid<br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tritonic_scale#\/media\/File:Tritonic_scale_on_E.png\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/Tritonic_scale#\/media\/File:Tritonic&#8230;<\/a><br \/>\n106b. dondo-tambour-parlant-talking-drum<br \/>\nkindpng.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.kindpng.com\/free\/drums\/12\/\" rel=\"noreferrer nofollow noopener\">www.kindpng.com\/free\/drums\/12\/<\/a><\/p>\n<p>***<\/p>\n<p>12:01 &#8211; Bisi Adeleke playing drum over images 107-108 to 12:09<\/p>\n<p>107. TITLE: The hour glass drum&#8217;s pitch can be  regulated  to  mimic  the  tone  and prosody  of  human  speech to great complexity.<br \/>\n107a. Kente linen<br \/>\nyouramba.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/youramba.com\/blogs\/news\/50891267-history-and-glossary-of-african-fabrics\" rel=\"noreferrer nofollow noopener\">youramba.com\/blogs\/news\/50891267-history-and-glossary-of-&#8230;<\/a><br \/>\n107b. dondo-tambour-parlant-talking-drum<br \/>\nkindpng.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.kindpng.com\/free\/drums\/12\/\" rel=\"noreferrer nofollow noopener\">www.kindpng.com\/free\/drums\/12\/<\/a><\/p>\n<p>108. TITLE: to  mimic  the  tone  and prosody  of  human  speech to great complexity.<br \/>\n108a. and 108b &#8211; Same as 107a &amp; 107b<br \/>\n*<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.vaiden.net\/african_talking_drum.pdf\" rel=\"noreferrer nofollow noopener\">www.vaiden.net\/african_talking_drum.pdf<\/a><br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Tritonic_scale_on_E.mid\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/File:Tritonic_scale_on_E.mid<\/a><\/p>\n<p>***<\/p>\n<p>12:09 &#8211; Dahomey women warriors chant with machete sound over images 109-111 to 12:26<br \/>\nLupita Nyong&#8217;o Meets Real Warrior Women &#8211; youtube.com<\/p>\n<p>12:23 &#8211; drummer today African Drumming &#8211; Rhythms of West Africa &#8211; Tamafola &#8211; over image 111 to 12:31  culturesofwestafrica.com &amp; youtube.com<\/p>\n<p>africandrumming<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=3hrtbZVO6Ng\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=3hrtbZVO6Ng<\/a><br \/>\n<a target=\"_blank\" href=\"https:\/\/www.culturesofwestafrica.com\/talking-drum\/\" rel=\"noreferrer nofollow noopener\">www.culturesofwestafrica.com\/talking-drum\/<\/a><\/p>\n<p>109. TITLE: take away the talking drums<br \/>\n109a. Dahomey women<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=M0TGKiMiZ68\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=M0TGKiMiZ68<\/a><br \/>\nChannel 4 is a British public broadcast service.<br \/>\nLupita Nyong&#8217;o Meets Real Warrior Women<br \/>\nNov 3, 2019<\/p>\n<p>110. TITLE the first thing they do is take away the talking drums<br \/>\n110a. warriors Dahomey<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=M0TGKiMiZ68\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=M0TGKiMiZ68<\/a><br \/>\nChannel 4 is a British public broadcast service.<br \/>\nLupita Nyong&#8217;o Meets Real Warrior Women<br \/>\nNov 3, 2019<br \/>\n110b.dondo-tambour-parlant-talking-drum<br \/>\nkindpng.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.kindpng.com\/free\/drums\/12\/\" rel=\"noreferrer nofollow noopener\">www.kindpng.com\/free\/drums\/12\/<\/a><\/p>\n<p>**<br \/>\nit is little wonder that when an invader conquers a people in West Africa, the first thing they do is take away the talking drums <\/p>\n<p>**<br \/>\n111. TITLE: and imprison their masters because detailed messages couldbe sent from one village to the next<br \/>\n111a. warriors Dahomey<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=M0TGKiMiZ68\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=M0TGKiMiZ68<\/a><br \/>\nChannel 4 is a British public broadcast service.<br \/>\nLupita Nyong&#8217;o Meets Real Warrior Women<br \/>\nNov 3, 2019<br \/>\n111b. drummer today hair flying<br \/>\nAfrican Drumming &#8211; Rhythms of West Africa &#8211; Tamafola &#8211; africandrumming<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=3hrtbZVO6Ng\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=3hrtbZVO6Ng<\/a><br \/>\n<a target=\"_blank\" href=\"https:\/\/www.culturesofwestafrica.com\/talking-drum\/\" rel=\"noreferrer nofollow noopener\">www.culturesofwestafrica.com\/talking-drum\/<\/a> <\/p>\n<p>**<\/p>\n<p>and imprison their masters<\/p>\n<p>112. modern day drummer image<br \/>\nAfrican Drumming &#8211; Rhythms of West Africa &#8211; Tamafola &#8211; africandrumming<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=3hrtbZVO6Ng\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=3hrtbZVO6Ng<\/a><br \/>\n<a target=\"_blank\" href=\"https:\/\/www.culturesofwestafrica.com\/talking-drum\/\" rel=\"noreferrer nofollow noopener\">www.culturesofwestafrica.com\/talking-drum\/<\/a><\/p>\n<p>***<\/p>\n<p>12:37 &#8211; galloping of one horse over images 113-114 to 13:05<br \/>\n12:43 &#8211; talking drum of Bisi Adeleke  at three different  volume and reverb levels over images 112-113 to 13:05<br \/>\nAyan Bisi Adeleke playing drum &#8211; youtube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B4oQJZ2TEVI\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=B4oQJZ2TEVI<\/a><\/p>\n<p>113. TITLE: faster than could be carried by a person riding a horse.<br \/>\nA Ride for Liberty by Eastman Johnson circa 1862 Brooklyn Museum<br \/>\nwikipedia.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/A_Ride_for_Liberty_%E2%80%93_The_Fugitive_Slaves\" rel=\"noreferrer nofollow noopener\">en.wikipedia.org\/wiki\/A_Ride_for_Liberty_%E2%80%93_The_Fu&#8230;<\/a><\/p>\n<p>ride to liberty \u2013 and echoe-ing of adelele  fainter fainter<\/p>\n<p>**<br \/>\nbecause detailed messages could be sent from one village to the next faster than could be carried by a person riding a horse.<\/p>\n<p>114. Sunset<\/p>\n<p>***<\/p>\n<p>13:06 &#8211; Sona Jobarteh &amp; Band Kora from West Africa over images 114-125 to 13:50<br \/>\nyoutube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=Ig91Z0-rBfo\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=Ig91Z0-rBfo<\/a><\/p>\n<p>13:12 &#8211; market sounds over image 115 to 14:00<br \/>\nSounds of Lagos: you can hear the hustle youtube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=C9WJ2CzYE68\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch?v=C9WJ2CzYE68<\/a><br \/>\nFOLLOW ME TO OYINGBO MARKET, LAGOS NIGERIA 2 | Flo Chinyere<br \/>\n13:10-13:32 &#8211; youtube.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch\" rel=\"noreferrer nofollow noopener\">www.youtube.com\/watch<\/a>?<\/p>\n<p>ADD   13:55 &#8211; Oya chorus over image 126 to 14:07<\/p>\n<p>14:06 &#8211; crickets over image 127 to ADD when finished<\/p>\n<p>114. TITLE: William Johnson, Delany&#8217;s guide, translator<br \/>\n&quot;William Johnson&quot; (semblance)<br \/>\nHis First Vote by Thomas Waterman Wood<br \/>\namericangallery19th.wordpress.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/americangallery19th.wordpress.com\/category\/wood-thomas-waterman\/\" rel=\"noreferrer nofollow noopener\">americangallery19th.wordpress.com\/category\/wood-thomas-wa&#8230;<\/a><\/p>\n<p>115.  TITLE: also waded thru the crowds<br \/>\nMarket Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><\/p>\n<p>116. TITLE: translating Martin&#8217;s questions  <\/p>\n<p>116a. William Johnson&quot; (semblance)<br \/>\nHis First Vote by Thomas Waterman Wood<br \/>\namericangallery19th.wordpress.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/americangallery19th.wordpress.com\/category\/wood-thomas-waterman\/\" rel=\"noreferrer nofollow noopener\">americangallery19th.wordpress.com\/category\/wood-thomas-wa&#8230;<\/a><br \/>\n116b. Market Day by Godwin Atta Geoman<br \/>\ngreatbigcanvas.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.greatbigcanvas.com\/view\/market-day,2049978\/\" rel=\"noreferrer nofollow noopener\">www.greatbigcanvas.com\/view\/market-day,2049978\/<\/a><\/p>\n<p>**<br \/>\nWilliam Johnson, Delany&#8217;s guide, translator also waded thru the crowds translating Martin&#8217;s questions  <\/p>\n<p>117. TITLE: as Martin admired the mangrove<br \/>\nEnglish: Mangrove Apple (Sonneratia caseolaris), upripe<br \/>\n\u0ba4\u0bae\u0bbf\u0bb4\u0bcd: \u0b95\u0bbf\u0ba3\u0bcd\u0ba3\u0bae\u0bcd \u0baa\u0bb4\u0bae\u0bcd (\u0b95\u0bbe\u0baf\u0bcd \u0ba8\u0bbf\u0bb2\u0bc8)<br \/>\nDate 28 February 2013, 12:52:21<br \/>\nSource Own work<br \/>\nAuthor Anton Croos and his blog, Art of Photography<br \/>\ncommons.wikimedia.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Mangrove_Apple.JPG\" rel=\"noreferrer nofollow noopener\">commons.wikimedia.org\/wiki\/File:Mangrove_Apple.JPG<\/a><\/p>\n<p>118. TITLE: papayas<br \/>\nCarica papaya<br \/>\nPaw paw in  Nigeria<br \/>\nFranz Eugen K\u00f6hler, K\u00f6hler&#8217;s Medizinal-Pflanzen (List of Koehler Images) &#8211; 1897<br \/>\nwikipedia.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Carica_papaya_-_K%C3%B6hler%E2%80%93s_Medizinal-Pflanzen-029.jpg\" rel=\"noreferrer nofollow noopener\">commons.wikimedia.org\/wiki\/File:Carica_papaya_-_K%C3%B6hl&#8230;<\/a><\/p>\n<p>119. TITLE: (as Martin admired the mangroves, papaya,) pineapples,<br \/>\n119a. Juju FilmsFollow<br \/>\nRoadside Produce Market<br \/>\nBwari LGA Abuja Nigeria<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.flickr.com\/photos\/jujufilm\/16573204132\/in\/photostream\/\" rel=\"noopener\">www.flickr.com\/photos\/jujufilm\/16573204132\/in\/photostream\/<\/a><br \/>\nflickr.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.flickr.com\/photos\/jujufilm\/16572853392\/in\/photostream\/\" rel=\"noopener\">www.flickr.com\/photos\/jujufilm\/16572853392\/in\/photostream\/<\/a><br \/>\n119b. Martin Delany<br \/>\nMartin Delany, c. 1847. Called the father of Black Nationalism, this rare image captures Delany, already an abolitionist, writer, publisher, and journalist at this point in his life. Courtesy of Floyd Thomas.<br \/>\nheinzhistorycenter.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.heinzhistorycenter.org\/blog\/collection-spotlight\/rare-martin-delany-signed-document\" rel=\"noreferrer nofollow noopener\">www.heinzhistorycenter.org\/blog\/collection-spotlight\/rare&#8230;<\/a><\/p>\n<p>**<br \/>\nas Martin admired the mangroves, papaya, pineapples, <\/p>\n<p>120. TITLE: keeping his parasol high to protect him from the brutal august sun<br \/>\n120a. Juju FilmsFollow<br \/>\nRoadside Produce Market<br \/>\nBwari LGA Abuja Nigeria<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.flickr.com\/photos\/jujufilm\/16573204132\/in\/photostream\/\" rel=\"noopener\">www.flickr.com\/photos\/jujufilm\/16573204132\/in\/photostream\/<\/a><br \/>\nflickr.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.flickr.com\/photos\/jujufilm\/16572853392\/in\/photostream\/\" rel=\"noopener\">www.flickr.com\/photos\/jujufilm\/16572853392\/in\/photostream\/<\/a><br \/>\n120b. Martin Delany<br \/>\nMartin Delany, c. 1847. Called the father of Black Nationalism, this rare image captures Delany, already an abolitionist, writer, publisher, and journalist at this point in his life. Courtesy of Floyd Thomas.<br \/>\nheinzhistorycenter.org<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.heinzhistorycenter.org\/blog\/collection-spotlight\/rare-martin-delany-signed-document\" rel=\"noreferrer nofollow noopener\">www.heinzhistorycenter.org\/blog\/collection-spotlight\/rare&#8230;<\/a><br \/>\n120c. Marius-system umbrella (Source: Palais Galliera)<br \/>\numbrellaworkshop.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.umbrellaworkshop.com\/umbrellas\/history-of-the-umbrella\/\" rel=\"noreferrer nofollow noopener\">www.umbrellaworkshop.com\/umbrellas\/history-of-the-umbrella\/<\/a><\/p>\n<p>**<br \/>\nkeeping his parasol high to protect him from the brutal august sun <\/p>\n<p>121. TITLE: and sipping lemonade made of water, lemon and a teaspoonful of carbonate of soda.<\/p>\n<p>African American woman drinking tea (Labeled \u201cThe Cup that Cheers\u201d)<br \/>\npublished in the Library of Amateur Photography manual in the &quot;At-Home Portraiture, Flashlight, Commercial and Press Photography\u201d volume in 1911.<br \/>\nCreatorGaines, Marion Stark, 1850-1942.<br \/>\nProperty of the Columbus-Lownde Public Library<br \/>\ncollections.msdiglib.or<br \/>\n<a target=\"_blank\" href=\"http:\/\/collections.msdiglib.org\/digital\/collection\/columbus\/id\/15\" rel=\"noreferrer nofollow noopener\">collections.msdiglib.org\/digital\/collection\/columbus\/id\/15<\/a><\/p>\n<p>**<br \/>\nand sipping lemonade made of water, lemon and a teaspoonful of carbonate of soda. <\/p>\n<p>122. TITLE: but he ate lightly.<br \/>\n122a. MRD portrait 1847<\/p>\n<p>122b. umbrella<\/p>\n<p>122c. market<\/p>\n<p>123. TITLE By dusk, it grew cooler, a new moon<br \/>\nsetting sun and out-stretched palm<br \/>\nstandardcoldpressedoil.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.standardcoldpressedoil.com\/hub\/lamp-oil-a-medium-to-enlighten-your-spiritual-energy\/\" rel=\"noreferrer nofollow noopener\">www.standardcoldpressedoil.com\/hub\/lamp-oil-a-medium-to-e&#8230;<\/a><\/p>\n<p>**<br \/>\nBy dusk, it grew cooler A new moon <\/p>\n<p>124. Women in the dark market<br \/>\na typical Nigerian market scene &#8211; pinterest.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.pinterest.com\/pin\/1125968637489132\/\" rel=\"noreferrer nofollow noopener\">www.pinterest.com\/pin\/1125968637489132\/<\/a><\/p>\n<p>125. TITLE: and the women of the market lit their palm oil lamps<br \/>\n125a.a typical Nigerian market scene &#8211; pinterest.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.pinterest.com\/pin\/1125968637489132\/\" rel=\"noreferrer nofollow noopener\">www.pinterest.com\/pin\/1125968637489132\/<\/a><br \/>\n125b. lit oil lamp<br \/>\nallwhitebackground.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.allwhitebackground.com\/oil-lamp-wallpapers.html\/download\/111945\" rel=\"noreferrer nofollow noopener\">www.allwhitebackground.com\/oil-lamp-wallpapers.html\/downl&#8230;<\/a><\/p>\n<p>**<br \/>\nand the women of the market lit their palm oil lamps <\/p>\n<p>126a. lit oil lamp<br \/>\nallwhitebackground.com<\/p>\n<p>126b. exaggerated stars in sky<br \/>\nChristmas stara lighting background<br \/>\npngtree.com<\/p>\n<p>127. black background<\/p>\n<p>122. TITLE: but he ate lightly.<br \/>\n123. TITLE: By dusk, it grew cooler, a new moon<br \/>\n124. (NO TITLE): Women in the dark market<br \/>\n125. TITLE: and the women of the market lit their palm oil lamps<br \/>\n126. TITLE: with the brilliance of stars.<br \/>\n127. TITLE: later to retire one by one leaving tomb-like darkness <\/p>\n<p>128. (extended narrataive to conclusion)<br \/>\nopen palm sun<\/p>\n<p>William and Martin placed their mats right on the ground in a wooded spot &#8211; they had only seen one leopard, three tarantulas and two snakes on the whole trip &#8211; Martin changed into clean clothes. They covered themslves with calico covers to rise before daybreak toresume thw final leg of their expedition to Abeokuta, where crowds would later gather and rejoice.  <\/p>\n<p>Martin rose, ate an orange, bathed from head to foot, walked out and breathed deeply the moist, cool morning air, had some coffee with cream and sweetener and off they went. <\/p>\n<p>129. Kente linen<br \/>\nyouramba.com<br \/>\n<a target=\"_blank\" href=\"https:\/\/youramba.com\/blogs\/news\/50891267-history-and-glossary-of-african-fabrics\" rel=\"noreferrer nofollow noopener\">youramba.com\/blogs\/news\/50891267-history-and-glossary-of-&#8230;<\/a><\/p>\n<p>Delany and Johnson left again on October 30th for Abeokuta with its 100,000 people, and was met with great joy on November 5th.  Princess Tinuba had already said she had more hope of a regeneration of Africa through Dr. Delany than ever before. She had promised to place the entire management of her extensive business &#8211; with her immediate household of about sixty persons, and constantly employing about three hundred and sixty persons bringing her palm-oil and ivory &#8211; in Dr. Delany\u2019s hands, as much advantage was taken of her by foreigners. <\/p>\n<p>p. 36<br \/>\n<a target=\"_blank\" href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015003702209&amp;view=1up&amp;seq=46&amp;q1=honey\" rel=\"noreferrer nofollow noopener\">babel.hathitrust.org\/cgi\/pt?id=mdp.39015003702209&amp;vie&#8230;<\/a><\/p>\n<p>For weeks, one meeting after another were held with cotton traders, missionaries, chiefs, Campbell and Delany, discussing improving a road to Lagos, reorganizing the schools, and fixing the printing press for the only local English newspaper.  Building trust. Forging ties. <\/p>\n<p>Delany himself was rejoiced speaking at the missionaries\u2019 request and praying the Almighty for providence in the challenges ahead.  <\/p>\n<p>We would call it a memo of understanding today signed by Delany, Campbell, King Alake and the seven chiefs in his council, with strong supporters Samuel and Josiah Crowther, the sons of the future Bishop Crowther, witnessing.<\/p>\n<p>The next day, it was formally ratified, saying Egba territory could be settled by persons of color with skills from America to improve the lands, if they followed rules of the Egba people<\/p>\n<p>Dec 27 memo of understanding signed the next day ratified the next day<br \/>\np. 35 Report<\/p>\n<p><a target=\"_blank\" href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015003702209&amp;view=1up&amp;seq=45&amp;q1=November\" rel=\"noreferrer nofollow noopener\">babel.hathitrust.org\/cgi\/pt?id=mdp.39015003702209&amp;vie&#8230;<\/a><\/p>\n<p>No sooner had Delany and Campbell left to tour the territory, than the virulently racist, first missionary to the area &#8211; Rev. Henry Townsend \u2013 wrote letters calling the agreement invalid, pressing Alake to rescind it, calling the project a &quot;civilized heathenism.\u201d Having African governing Africans, he railed, was not the will of God and sinfully excluded, he ranted, the sweet natures of white English missionaries and their dear old England &#8211; the land of Christianity, Commerce and Civilization.<\/p>\n<p>But it was a new stage of his hatred directed at the most important supporter of the project, Rev. Samuel Crowther who would soon advance up the career ladder of missionaries, that ditched Townsend &#8212; and made him Bishop Crowther.<\/p>\n<p>Delany and Campbell stayed with the good news message to take to England when they set sail &#8212;- for Liverpool to spell out this way to keep the textile mills humming with African cotton, even with a Civil War, and while advancing England\u2019s colony in West Africa as a respected partner in making linens. Lecture halls were packed. Everyone wanted to know &#8211; especially Queen Victoria,  who loathed slavery. <\/p>\n<p>What happened over time was the Civil War did NOT prevent cottons from the South getting to England. being exchanged in English-controlled Barbados for Enfield rifles. There were holes in the federal blockade. Moreover, what became clear is the old tried-and-true business networks and collaborations &#8211; one all within Africa, of cotton growers, dyers, weavers and spinners &#8211; the other between England and the South &#8211; held the course.<\/p>\n<p>Delany and Campbells brilliant idea could ha<\/p>\n<p>\nThis <em>Free State South Africa<\/em> image was automatically curated and published with <a target=\"_blank\" href=\"http:\/\/wprobot.net\/?ref=578\" rel=\"noopener\">WP Robot<\/a> plugin &#8211; <a target=\"_blank\" href=\"http:\/\/wprobot.net\/?ref=578\" rel=\"noopener\">CLICK HERE<\/a> to learn more about <a target=\"_blank\" href=\"http:\/\/wprobot.net\/?ref=578\" rel=\"noopener\">WP Robot for WordPress<\/a> &#8211; a massive time and money saver.<\/p>\n<p><a target=\"_blank\" href=\"https:\/\/www.youtube.com\/channel\/UCgzgeTm3pKPjkFy4WHrH8xA\" rel=\"noopener\">Visit the MyPE YouTube Channel<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MRD 3 smiling girl Image by Jim Surkamp Martin Delany to Africa &#8211; To Be More Than Equal 1 &#8211; youtu.be\/oHBTnaDgMvY Martin Delany &#8211; To Be More Than Equal 1 Credits 17:19 youtu.be\/AJ0Ch2XvlEM Martin Delany &#8211; To Be More than Equal 2, Enthralls West Africa &#8211; summer, 1859 youtu.be\/AiSi7oDRM0k Martin Delany To Be More Than [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[9014],"tags":[4056,21255],"class_list":{"0":"post-215752","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-images","7":"tag-girl","8":"tag-smiling","9":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/215752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/comments?post=215752"}],"version-history":[{"count":0,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/215752\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/media?parent=215752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/categories?post=215752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/tags?post=215752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}