{"id":252721,"date":"2023-03-13T14:13:43","date_gmt":"2023-03-13T12:13:43","guid":{"rendered":"https:\/\/www.myza.co.za\/costa-titch-the-rising-white-south-african-rap-star-who-embraced-black-hip-hop-culture\/"},"modified":"2023-03-13T14:13:43","modified_gmt":"2023-03-13T12:13:43","slug":"costa-titch-the-rising-white-south-african-rap-star-who-embraced-black-hip-hop-culture","status":"publish","type":"post","link":"https:\/\/www.myza.co.za\/press\/costa-titch-the-rising-white-south-african-rap-star-who-embraced-black-hip-hop-culture\/","title":{"rendered":"Costa Titch: the rising white South African rap star who embraced black hip-hop culture"},"content":{"rendered":"<div><img decoding=\"async\" src=\"http:\/\/www.myza.co.za\/press\/wp-content\/uploads\/2023\/03\/costa-titch-the-rising-white-south-african-rap-star-who-embraced-black-hip-hop-culture.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p>Rising 28-year-old South African dancer and rapper Costa Titch (born Costa Tsobanoglou) <a href=\"https:\/\/edition.cnn.com\/2023\/03\/12\/africa\/costa-titch-death-intl\/index.html\">died<\/a> after collapsing on stage on 11 March while performing in Johannesburg. <\/p>\n<p>Costa Titch entered the entertainment world as a dancer with Cassper Nyovest, another South African hip-hop mega star, before trying his luck as a rapper, often dabbling in the country\u2019s <a href=\"https:\/\/theconversation.com\/south-africas-dance-music-craze-amapiano-could-conquer-the-world-if-its-stars-step-up-192417\">amapiano<\/a> dance music genre. He had a huge hit with his track Big Flexa and was destined to shine bright on the country\u2019s music scene.<\/p>\n<figure> <\/figure>\n<p>Being white, Nelspruit-born Costa Titch brought new colour and a distinctive flavour to the music scene with his use of African languages, earnest experiments in cultural subversion and elaborate urban dance routines that challenged the \u201cwhite men can\u2019t dance\u201d myth.<\/p>\n<p>There are other reasons why Costa Titch\u2019s role in the country\u2019s music scene can be viewed as either polarising or unifying \u2013 depending on one\u2019s point of view.<\/p>\n<p>As a white man embracing African hip-hop culture, Costa Titch was a symbol of South Africa\u2019s <a href=\"https:\/\/timesofindia.indiatimes.com\/why-is-the-republic-of-south-africa-referred-to-as-a-rainbow-nation\/articleshow\/2515812.cms\">rainbow nation<\/a> aspirations \u2013 a term coined by the late Archbishop Desmond Tutu to describe different ethnic groups living and working together and moving on from apartheid\u2019s brutal past.<\/p>\n<p>Senegalese-American mega-star Akon <a href=\"https:\/\/www.yahoo.com\/entertainment\/akon-joins-fans-mourning-south-143857004.html\">believed<\/a> that Costa Titch was destined for bigger things and could be a game-changing artist. The young singer had recently <a href=\"https:\/\/www.yahoo.com\/entertainment\/akon-joins-fans-mourning-south-143857004.html\">signed<\/a> with Akon\u2019s label, Konvict Kulture. His death is another blow to a scene reeling after several high-profile deaths. The most recent was AKA (Kiernan Forbes), the hip-hop star with whom he collaborated several times.<\/p>\n<hr>\n<p> <em> <strong> Read more: <a href=\"https:\/\/theconversation.com\/aka-slain-south-african-rapper-was-a-once-in-a-generation-pop-culture-sensation-199754\">AKA: slain South African rapper was a once-in-a-generation pop culture sensation<\/a> <\/strong> <\/em>\n<\/p>\n<hr>\n<h2>Hip-hop deaths<\/h2>\n<p>High profile deaths within the hip-hop community over the past few years have included HHP, Prokid, Flabba, Riky Rick, DJ Dimplez, DJ Citi Lyts, and most recently AKA. Some, like HHP and Riky Rick, <a href=\"https:\/\/culture-review.co.za\/rikys-plight\">took their own lives<\/a>. Others were murdered \u2013 and, though these kinds of homicides haven\u2019t reached the gory levels of the US rap scene, they are becoming a disturbing trend.<\/p>\n<p>The South African hip-hop scene achieved mainstream acceptance only a few years ago. It\u2019s still relatively small compared with the country\u2019s other dominant music genres like gospel, house or Maskandi. As such, the loss of several respected artists is bound to have significant reverberations.<\/p>\n<p>That\u2019s because their successes <a href=\"https:\/\/theconversation.com\/the-town-where-hip-hop-is-healing-south-africas-broken-youth-56943\">gave hope<\/a> to young South Africans mired in poverty, violence and uncertainty. The country\u2019s townships (low-cost housing projects) created by apartheid spatial planning and informal settlements are <a href=\"https:\/\/theconversation.com\/idle-and-frustrated-young-south-africans-speak-about-the-need-for-recreational-facilities-176921\">plagued by<\/a> drug and alcohol abuse, unemployment and crime. The rise of figures like HHP and Riky Rick suggested that hip-hop could be a way out for young people.<\/p>\n<h2>Rainbow rap<\/h2>\n<p>Costa Titch personified an altogether different kind of hope. Unlike many historically ill-equipped youth of his generation, he embodied the kind of promise Nelson Mandela would have liked South African youth to embrace. Here was a white rapper who was fluent in African languages, dressed like an urban hood dweller, danced like the son of a Pantsula (a township street dance characterised by incredible physical flexibility) expert and shot most of his videos drawing heavily on ghetto scenes.<\/p>\n<p>Music preferences, as with most other things in South Africa, have been defined by race. White audiences typically prefer different kinds of rock and folk music. And black audiences patronise everything from house and Maskandi to rap and soul. But there are artists who defy this rigid rule \u2013 as we have seen in countries, such as the US.<\/p>\n<p>In this way he falls within the bracket of white South Africans who enthusiastically embrace local cultural norms in forging their artistic identities. Others include the late Johnny Clegg, PJ \u201cThandeka\u201d Powers, Claire Johnston the lead vocalist of the band Mango Groove, and David \u201cQadasi\u201d Jenkins, a Maskandi musician. <\/p>\n<p>In traversing these apparently rigid racial and cultural divides, these artists are able to hold aloft the flame and promise of a \u201crainbow nation\u201d and its accompanying multiculturalism. This creed brings much optimism in times of national despair and despondency. This is evident in Costa Titch\u2019s adoption of the urban township lifestyle and the ebullience that radiates from his ghetto-themed videos. <\/p>\n<p>Costa Titch had all the opportunities to remain sequestrated within the comforts provided by white power and privilege. Instead he chose to embrace South Africa\u2019s diversity in unambiguous racial, socio-economic and cultural terms. He seemed at home in multiple settings and didn\u2019t appear apologetic about this oddity. Now his promising future will never be realised.<\/p>\n<p> <a href=\"https:\/\/theconversation.com\/africa\/\">Source: The Conversation<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rising 28-year-old South African dancer and rapper Costa Titch (born Costa Tsobanoglou) died after collapsing on stage on 11 March while performing in Johannesburg. Costa Titch entered the entertainment world as a dancer with Cassper Nyovest, another South African hip-hop mega star, before trying his luck as a rapper, often dabbling in the country\u2019s amapiano [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":252722,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4584],"tags":[3257],"class_list":{"0":"post-252721","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-africa-news-2","8":"tag-mypr","9":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.myza.co.za\/press\/wp-content\/uploads\/2023\/03\/costa-titch-the-rising-white-south-african-rap-star-who-embraced-black-hip-hop-culture-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/252721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/comments?post=252721"}],"version-history":[{"count":0,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/252721\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/media\/252722"}],"wp:attachment":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/media?parent=252721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/categories?post=252721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/tags?post=252721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}