{"id":67287,"date":"2016-04-04T06:47:42","date_gmt":"2016-04-04T04:47:42","guid":{"rendered":"http:\/\/www.myza.co.za\/the-town-where-hip-hop-is-healing-south-africas-broken-youth-the-conversation\/"},"modified":"2016-04-04T06:47:42","modified_gmt":"2016-04-04T04:47:42","slug":"the-town-where-hip-hop-is-healing-south-africas-broken-youth-the-conversation","status":"publish","type":"post","link":"https:\/\/www.myza.co.za\/press\/the-town-where-hip-hop-is-healing-south-africas-broken-youth-the-conversation\/","title":{"rendered":"The town where hip-hop is healing South Africa\u2019s broken youth | The Conversation"},"content":{"rendered":"<p>A large body of research shows that in South Africa\u2019s black townships, a youth masculinity dominates, probably best captured by the gangsta hip-hop term \u201cswagger\u201d. It involves a highly sexualised, aggressive manner, sporting the latest consumer goods, and not being averse to violence, alcohol abuse and drugs \u2013 basically how hip-hop functions universally. What is less commonly known is that there is an \u201cunderground\u201d hip-hop movement in South Africa promoting an alternative lifestyle.<\/p>\n<p>I spent a year in 2014 hanging out with hip-hop artists in the townships of Grahamstown in the Eastern Cape province. Most of them have been performing since the mid-2000s.<\/p>\n<p>\u201cWe don\u2019t do swagger,\u201d says local hip-hop artist Dezz. He detests the \u201c<em>izikhothane<\/em>\u201d subculture in which young men parade with consumer goods and then destroy these. While it gives them a certain status, it does not value \u201cpeople with nothing\u201d, he says.<\/p>\n<p>In Grahamstown they rap about these people with nothing, praising their resilience for surviving hunger, crime and being looked down upon by others.<\/p>\n<p><figure>             <iframe loading=\"lazy\" width=\"440\" height=\"260\" src=\"https:\/\/www.youtube.com\/embed\/iJKjOR5FqOg?wmode=transparent&amp;start=0\" frameborder=\"0\" allowfullscreen><\/iframe><figcaption><span class=\"caption\">Rapper Zion Eyes describes the difficulties of living in poverty.<\/span><\/figcaption><\/figure>\n<\/p>\n<h2>Spreading the message of black consciousness<\/h2>\n<p>There is something of a religious zeal to these hip-hop artists. Posters at their events make it clear that no alcohol is allowed. Their songs celebrate family and the \u201cnarrow path\u201d of morality. Many are vegans. Their central message, however, is not church, but black consciousness. They invoke struggle heroes like Steve Biko and Chris Hani in their lyrics.<\/p>\n<p>Hip-hop artist XNasty, considered the father of hip-hop in Grahamstown, has been promoting Biko\u2019s message for many years. Society is still broken due to apartheid and its legacy of racism and economic oppression, he says.  It\u2019s a psychic wound that has festered since apartheid times and has been transferred from parents to children. Parents in many poor townships have been told for so many years that they are \u201cnothing\u201d that this sense of uselessness has been internalised in a sense of nihilism, XNasty explains.<\/p>\n<p>Many of the hip-hop artists complain about being vilified when they try and be different. Young people experience a particularly South African \u201ctall poppy syndrome\u201d.  Many of the hip-hop songs describe how others will \u201cdrag you down\u201d, suggesting that you think you are better than others if you start doing hip-hop, if you stop drinking or if you question people\u2019s involvement in crime.<\/p>\n<p>The hip-hop artists explain this negativity in terms of black consciousness \u2013 people here are broken, and they don\u2019t realise how they are destroying each other. They suffer a feeling of constant judgment by the rest of society, and so they judge others.<\/p>\n<h2>\u2018Re-animating the human\u2019<\/h2>\n<p>In response, hip-hop in Grahamstown refuses to judge, and hangs onto hope. Local rapper Azlan raps about gangsters who return to prison, and implores people to see them as human. \u201cPeople need to try and imagine how we can help that gangster to change, so he can be a human being, like you and me,\u201d he argues.<\/p>\n<p>\u201cIf you are not working you are useless,\u201d says rapper Ithalalenyeni. Others describe how you are taunted to \u201cgo back to the village\u201d if you wear unfashionable clothes or do not have a sophisticated mobile phone.<\/p>\n<p>The politics of hip-hop here is about recognising humanity in a space of deep dehumanisation. It invokes public intellectual Achille Mbembe\u2019s call to \u201cre-animate the human\u201d in South Africa. South Africans carry the dehumanisation of apartheid and are now confronted with the double dehumanisation of neo-liberalism, according to Mbembe.<\/p>\n<p>Sociologist Mich\u00e8le Lamont argues that the symbolic boundaries that divide a society into \u201cpeople like us\u201d and those that are considered inferior are part of a nation\u2019s culture. In France, with its long history of the revolution, Catholicism and socialism, symbolic boundaries are less harsh than in the US, and people are more inclined to think of the working class as \u201cpeople like us\u201d, she argues.<\/p>\n<p>In South Africa, slavery, colonialism and apartheid have probably resulted in some of the harshest symbolic boundaries in the world, questioning black people\u2019s basic humanity for centuries. Hip-hop here is about overcoming these persistent symbolic boundaries by celebrating the humanity of ordinary township residents.<\/p>\n<p>Hip-hop artists rediscover obscure words in isiXhosa, read books on history and politics, and work these into their lyrics. They develop rich cultural metaphors celebrating traditions. They reclaim a black intellectual culture.<\/p>\n<p><figure>             <iframe loading=\"lazy\" width=\"440\" height=\"260\" src=\"https:\/\/www.youtube.com\/embed\/0VCTwW5IenM?wmode=transparent&amp;start=0\" frameborder=\"0\" allowfullscreen><\/iframe><figcaption><span class=\"caption\">Imin&#8217;esisdenge\u2019s video shows how Grahamstown rappers find inspiration in a proud African past.<\/span><\/figcaption><\/figure>\n<\/p>\n<p>These hip-hop artists also spend hours mastering complex media software. They write songs about overcoming hardship. They recruit new members and keep these young teens away from crime. They dream of success, but also of transforming the communities in which they live.<\/p>\n<h2>Building empowered communities<\/h2>\n<p>The academic literature exploring the resilience of young people is, to my mind, too focused on helping individuals do better than expected in precarious, dangerous environments. It does not focus on those young people who are trying to do more than simply survive \u2013 those who are also trying to change their environments.<\/p>\n<p>Inspired by Biko, the hip-hop artists in my study are doing exactly that. They are not waiting for politicians, they say, but trying to do things for themselves. The annual Fingo Festival that happens during the National Arts Festival in Grahamstown is just one of the ways they do this.<\/p>\n<p>XNasty and a few other local musicians decided they were not content simply to join in the criticism that the National Arts Festival has too small a presence in the townships and does not offer a platform for local artists. Instead, they did something about it. Their dreams and hard work in fund-raising paid off. Since 2011 the Fingo Festival offers a week-long programme combining local hip-hop acts, National Arts Festival shows and in-depth community discussions.<\/p>\n<p>For these young people, Biko\u2019s central message is that black communities should claim back the right to re-imagine their own future \u2013 and then start doing exactly that.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"The Conversation\" height=\"1\" src=\"https:\/\/counter.theconversation.edu.au\/content\/56943\/count.gif\" width=\"1\" \/> <\/p>\n<p><em><span>Alette Schoon has received funding from Microsoft, as well as Rhodes University and the Andrew W Mellon foundation to support her research into the digital and mobile practices of hip-hop artists.<\/span><\/em><\/p>\n<p>\n<strong> Read more on:<\/strong> <a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/theconversation.com\/the-town-where-hip-hop-is-healing-south-africas-broken-youth-56943\">The Conversation \u2013 Articles (AFRICA)<\/a><br \/>\n<\/p>\n<p>Read more on <a target=\"_blank\" href=\"http:\/\/theconversation.com\" target=\"_blank\">The Conversation<\/a>.<\/p>\n<p><strong>Join the fun:<\/strong> <a target=\"_blank\" href=\"http:\/\/www.myza.co.za\/add-your-event\/\">Add Your event<\/a> | <a target=\"_blank\" href=\"http:\/\/www.mypr.co.za\/submit\">Submit a Press Release<\/a> | <a target=\"_blank\" href=\"http:\/\/www.myza.co.za\/directory\/\">Add your listing<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A large body of research shows that in South Africa\u2019s black townships, a youth masculinity dominates, probably best captured by the gangsta hip-hop term \u201cswagger\u201d. It involves a highly sexualised, aggressive manner, sporting the latest consumer goods, and not being averse to violence, alcohol abuse and drugs \u2013 basically how hip-hop functions universally. What is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4584],"tags":[4635,3774,8890,4024,13011,3576,3089,464],"class_list":{"0":"post-67287","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-africa-news-2","7":"tag-africas","8":"tag-broken","9":"tag-conversation","10":"tag-healing","11":"tag-hiphop","12":"tag-south","13":"tag-town","14":"tag-youth","15":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/67287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/comments?post=67287"}],"version-history":[{"count":0,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/posts\/67287\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/media?parent=67287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/categories?post=67287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.myza.co.za\/press\/wp-json\/wp\/v2\/tags?post=67287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}